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Word: mock (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Sellars's updating never interferes with the music. In fact, many of his innovations involve clever exploitation of the Handel score. The bouncy rhythms of Dorinda's first-act aria on the ineffable nature of love--she's the beach bunny, nee shepherdess--become the excuse for an hilarious mock-disco strut. Later in the opera, when Dorinda sings of love's bitterness, it is Sellars's inspiration that she pour herself a stiff drink between repetitions (all Orlando's arias consist of six or eight lines repeated again and again), with the result that her octave leaps slowly become...

Author: NO WRITER ATTRIBUTED | Title: Stellar Handel | 1/13/1982 | See Source »

...best of the Germans is probably A.R. Penck (born Ralf Winkler), who was on show at the Sonnabend Gallery. An East German emigre to the West, he does mock-archaeological images blown up to "American" size. On a flat ground, flat pictographs: Ariadne holding her thread, Theseus as a stick figure with spear, a Minotaur. This primitivism is meant to suggest a heroic Aegean prehistory, a lost age when sibyls muttered in every cleft, and any scratch or spiral meant something. But Penck's images are mere quotation suffused with graphic charm; they are little more than the husks...

Author: /time Magazine | Title: Art: Upending the New German Chic | 1/11/1982 | See Source »

...show opens with a burst of well-directed energy which carries the first few scenes with reasonable crispness. Animation leaps from the opening number, a mock funeral for the tyrannical and bigoted Ol' Cap'n Cotchipee (Christopher Charron); the actors bounce cheerfully through the rather simplistic choreography, though the Old Library stage affords little room for 20 dancers to swing. Things seem fine through the establishment of a few basic plot premises...

Author: By Amy E. Schwartz, | Title: Purlie's Paltry Persuasion | 12/10/1981 | See Source »

...ominous rumble in the east. Slowly, one after another, six B-52 bombers came thundering out of the bright sun, flying only 600 ft. above the desert floor. Just a mile from the audience, each warplane sent 27 Mark-82 bombs, weighing 500 lbs. apiece, crashing onto a mock airstrip. Pillars of fire and black smoke billowed into the translucent sky. Minutes later, the aircraft wheeled to the west, starting their 7,000-mile nonstop flight back...

Author: /time Magazine | Title: Making the Sand Bounce | 12/7/1981 | See Source »

...each of the four farces. The constant rotation fosters an appreciation for the different inflections of the characterizations, but it also builds a sense of team spirit. Serban drives the point home by bridging the last two farces with a center-stage costume change. Genuinely enjoying themselves, the actors mock the pompous Renaissance trumpet music in the background and banter boisterously about nothing in particular...

Author: By John KENT Walker, | Title: Tour de Farce | 12/4/1981 | See Source »

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