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...Alois Mock, deputy chancellor of Austria and head of the People's Party, reiterated his support for Waldheim but Economics Minister Robert Graf, another leading conservative, expressed impatience...

Author: NO WRITER ATTRIBUTED | Title: Waldheim Swears He Won't Step Down | 2/16/1988 | See Source »

George Michael scores with it, the Pet Shop Boys mock it, and everyone cashes in: Britpop, an easeful sound that tops the charts...

Author: /time Magazine | Title: Time Magazine Contents Page January 25, 1988 | 1/25/1988 | See Source »

That kind of shared attitude is ripe material for satire, and, indeed, the current Britpop scene has its shrewdest, severest critics right at the center of its matte black heart. The Pet Shop Boys mock the scene from the ideal perspective: deep inside. Their inventive synthesizer work makes music so stylized it becomes otherworldly. In the words of one admiring London critic, "They know how to use their computers." The Pet Shop Boys' tunes are inventive and danceable; It Couldn't Happen Here, on their new album Actually, was co-written with the formidable film composer Ennio Morricone. Their lyrics...

Author: /time Magazine | Title: Music: Tunes for The New Ice Age | 1/25/1988 | See Source »

Andrew wrote his first tune at nine, and three years later began mounting mock musicals in a toy theater whose stage was an old record turntable. At about this time, an aunt whetted his theatrical passion when she took the boy to see South Pacific, which remains his favorite musical. At 14 he won a scholarship to London's Westminster School and produced three now forgotten student shows...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

Lloyd Webber's next show, Starlight, which opened in London in 1984, was also directed by Nunn and designed by Napier, but this time the cooperative effort was less happy. What was conceived as a small collection of genre songs (pop, rock, mock-soul) for children, like Joseph, emerged instead as an overblown extravaganza that the composer, despite his initial enthusiasm for the production, later disowned. "It was a mistake to have put it anywhere near where it could be considered a Broadway musical," Lloyd Webber says, though he still defends it as a vehicle that brings to the theater...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

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