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...future doesn't look too bleak, but Bloom says she'll always have to deal with "that radical concept"--being a female instrumentalist in the male bastion of jazz. She responds to what must be the umpteenth question on the subject first with mock agony ("I feel like a man trapped in a woman's body") but then goes on to discuss the obstacles she has faced with insight--and without self-pity...

Author: By Abigail M. Mcganney, | Title: Bloomsday at Harvard | 10/23/1987 | See Source »

...requires a great amount of pretense to pass off a business school as a part of an academic community. But we should not be so quick to mock that pretense. So long as universities take as part of their mission the education of future businessman, lawyers, and doctors, they will always be something less than committed to a purely intellectual ideal. But it is at least nice to see that they have some regrets about this state of affairs--that a Business School such as Columbia still is commited to the acadmeic ideal enough that a professor such as Edleman...

Author: By David J. Barron, | Title: The Affluent Classroom | 10/19/1987 | See Source »

Even so, climate modelers admit, building a completely realistic mock earth is an impossibly tall order. "You divide the world into a bunch of little boxes," explains Michael MacCracken, an atmospheric scientist at Lawrence Livermore National Laboratory. The size of the geographic box -- the degree of detail called for -- limits the model. Smaller grids dramatically increase the number-crunching power required. "The state of the art would be to get down to small areas so we can say what's going to happen in Omaha," says Livermore's Stanley Grotch. "The models just aren't that good...

Author: /time Magazine | Title: Environment: Cloudy Crystal Balls | 10/19/1987 | See Source »

...Grooms fan will say, do you have against humor? The fan has a point, in a way, since Grooms' popularity comes at least in part from the truly awful seriousness of the high-culture industry, its inability to see how weird its own solipsism and sanctimony can look. The mock-religious cloud that formed around abstract expressionism when it was becoming America's first imperial style, coupled with the grip of the academies since, all but wrecked the middle ground between the sublime and the trivial. How many American artists, except for a few loners like Saul Steinberg...

Author: /time Magazine | Title: Art: Corn-Pone Cubism, Red-Neck Deco | 9/21/1987 | See Source »

...Aida houses may be facile, yet they do delight: toy building blocks are a cheerful transcultural artifact, and the mock-haphazard assemblages are lively, seemingly half built or half demolished. The Toys R Us aspect seems American, but the unfinished quality is pure Japanese. Says Aida: "Fundamentally I find myself swinging back and forth between two basic lines of influence -- Japanese tradition and Western culture. I am attracted as much by Kandinsky, for instance, as I am by modern Japanese writers...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

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