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...Republic, written by Chicago's Judith Wax, 42, a humorist best known for her annual summaries in verse of the year's news in Playboy. Her model was Chaucer, who would surely have understood Watergate as well as any other bygone man, and her mode mock Middle English, including pseudoscholarly footnotes...

Author: /time Magazine | Title: AMERICAN NOTES: The Waterbury Tales | 9/24/1973 | See Source »

That prophet would have more to mock today. Shortly before he died, Duchamp complained: "In my day artists wanted to be outcasts, pariahs. Now they are all integrated into society." The épater la bourgeoisie act gets harder every day. Each new outrage is given a price tag and immediately sold to some collector−frequently as an investment. The vast, despised leviathan−the middle class−has entirely swallowed the artist and his followers. Yet this too is an irony that Duchamp might have enjoyed. As the Philadelphia Museum visitor walks through Duchamp's striking prefigurations...

Author: /time Magazine | Title: Art: Variations on an Enigma | 9/24/1973 | See Source »

...process of production as with the experience of the individual worker. We learn that there is craftsmanship as well as tedium on the assembly line. We come away with a sense of the immediacy of the jobs themselves that opens up a large ideological space between shots that mock Pompidou visiting an auto show and those that cannot help but celebrate the flow of enameled bodies or a welder's master touch...

Author: By Phil Patton, | Title: Film in Venice | 9/24/1973 | See Source »

...Fortnum's young wife. When Fortnum winds up a hostage, Plarr finds himself in one of those absurd and passionate plights that Greene is so skillful at convincing us are truthful metaphors for man's lot in life. "Let this comedy end as comedy," Plarr says in mock prayer. "None of us are suited for tragedy." But naturally, this wish is not granted...

Author: /time Magazine | Title: Books: Our Man in Gehenna | 9/17/1973 | See Source »

...this book sometimes demonstrates. Not enough has been written about the cumulative effect of images, arranged for artful purposes, as in the great innovative LIFE picture essays like W. Eugene Smith's "Country Doctor" and "Spanish Village," Leonard McCombe's "Cowboy," and Mark Kauffman's mock-heroic epic of a Marine drill instructor going about his martial business...

Author: /time Magazine | Title: Books: Pictures from an Institution | 9/10/1973 | See Source »

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