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...MISER. Robert Symonds gives his best performance yet with the Lincoln Center Repertory Theater as the mock hero of Moliere's comedy. Skittering about like a bespectacled magpie, his Harpagon is a sprite of the cashbox, a stringy-haired witch of usury. To see him is a pleasure. To see him undone is a delight...

Author: /time Magazine | Title: Television, Cinema: may 23, 1969 | 5/23/1969 | See Source »

Nabokov sums up these amorous doings in a mock dust-jacket blurb that closes Ada by describing only the book's most superficial aspects. Long before he gets around to that, though, a suspicion has set in that the surface love story is as different from the real Ada as a bicycle reflector is from a faceted ruby. More even than Lolita and Pale Fire, Ada is studded with assaults and asides directed at literary forms, figures and fashions. Along with its masquerade...

Author: /time Magazine | Title: Books: Prospero's Progress | 5/23/1969 | See Source »

...street--mostly black children and teen-agers. The brass instruments and little gold letters on the parade hats glistened in the bright sunshine. They seemed very jolly, and I guessed everyone had been tanking up in Buster's for a good while. Emanuel Paul grinned with a look of mock surprise when he recognized...

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

Though barely two months have elapsed since the successful flight of Apollo 9, the U.S. is poised for yet another space epic. At Cape Kennedy last week, a giant Saturn 5 stood on Pad 39B, and an astronaut crew and NASA technicians methodically ran through a mock countdown in preparation for the launch of Apollo...

Author: /time Magazine | Title: Space: Dress Rehearsal | 5/16/1969 | See Source »

When a tragic hero is blinded, he assumes the grandeur of Oedipus; when a comic hero is blinded, he becomes as ludicrous as a mole. Moliere, the most serious writer of comedy who ever lived, took just such a blind mole and made him the mock hero of The Miser. Harpagon (Robert Symonds) has a singular obsession-money. Like most obsessions, it is not magnificent but malignant. It allows the great 17th century French dramatist to make a central moral point-that a sin is called deadly because it deadens. Harpagon is blind to his children's hope...

Author: /time Magazine | Title: Repertory: Money, Money, Money | 5/16/1969 | See Source »

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