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Harvard College figures in several recent Christmassy records. The renowned E. Power Biggs can be heard playing Twelve Noels by the eighteenth-century French composer, Louis Claude Daquin, on the reedy, mock-sixteenth-century Flentrop Organ in the Busch-Reisinger Museum of Germanic Culture (Columbia ML 5567). And the Harvard Glee Club has recorded on a loyal label a handsome election of the more worth while --Volume I (Cambridge Records CRS-401), for instance, includes Vaughan Williams arrangements of the Gloucestershire and Yorkshire Wassails, "Lo, How a Rose." Gustav Holst's Personent Hodie, the Sussex Carol and "The Holly...

Author: By Anthony Hiss, | Title: Old 'Crimson's' Guide to Christmas Cheer: 'II | 12/21/1962 | See Source »

...would give most economists the willies, but it fascinates Fritz Mach-lup (pronounced mock-loop), holder of Princeton's Walker professorship of economics and international finance. A onetime Austrian businessman (in cardboard). Economist Machlup, 60, came to the U.S. in 1933, taught for years at Johns Hopkins, and is now president of the American Association of University Professors...

Author: /time Magazine | Title: Education: The Knowledge Industry | 12/21/1962 | See Source »

...hefty book review. All of the essays are about Jews and Judaism (although one was written by a Catholic, Michael Novak, and concerns itself with the problems he feels arise when a Catholic "encounters" a Jew), the short story has been cast in a specifically Jewish idiom (the involved mock-reminiscence practiced by Issac Bashevis Singer), and at least one of the poems has an announced Jewish theme (though, I confess, I think that without its title its professed Jewishness would undoubtedly have escaped me). But the play and book review--of E. H. Carr's What Is History...

Author: By Anthony Hiss, | Title: Mosaic | 12/18/1962 | See Source »

...above a solo violin. At the end of Part I, the inital treatment of the theme returns in the parts of Elizabeth and the large choir. The theme dogs the listener for the remaining two parts, along with other simpler, but equally tiresome, motives. For example, Martin delights in mock marches: everywhere there are alternating augmented fifths and repeated sequences, pizzicato, in the basses. Tone pyramids pile up at the end of Part I, at the entrance of the angels in Bethlehem, Part II, in the fields in Part II, and elsewhere...

Author: By Joel E. Cohen, | Title: La Mystere de la Nativite | 12/17/1962 | See Source »

Accepting his humptyninth award-the MacDowell Colony Medal from the Academy of American Poets-white-maned Poet Robert Frost, 88, fixed his affectionate audience with a mock-sincere twinkle in his eye and quite clearly said: "I wish my mother could...

Author: /time Magazine | Title: People: Nov. 16, 1962 | 11/16/1962 | See Source »

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