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...pastel moods. Delicately blended harmonic shades slide and merge in misty orchestrations of Speak and Goodbye to Childhood (with Thad Jones on flügelhorn, Peter Phillips on bass trombone and Jerry Dodgion on alto flute). In Riot, First Trip and Sorcerer, the piano skips along with mellow modal lines and bright blues splashes. Drummer Mickey Roker and Bassist Ron Carter are Hancock's hearty helpers...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

Moreover, Strawberry Fields, with its four separate meters, freewheeling modulations and titillating tonal trappings, showed that the Beatles had flowered as musicians. They learned to bend and stretch the pop-song mold, enriched their harmonic palette with modal colors, mixed in cross-rhythms, and pinched the classical devices of composers from Bach to Stockhausen. They supplemented their guitar sound with strings, baroque trumpets, even a calliope. With the help of their engineer, arranger and record producer, George Martin, they plugged into a galaxy of space-age electronic effects, achieved partly through a mixture of tapes run backward and at various...

Author: /time Magazine | Title: Pop Music: The Messengers | 9/22/1967 | See Source »

...production, Sandra Robbins, plays both Belshazzar's queen and the angel. Her soprano voice rings clearly and powerfully over the male voices, and projects almost enough femininity to balance with the rest of the cast. The chorus in solemn, hollow, and always in tune on the difficult modal chants. The small group of instruments is just wispy and scratchy enough to produce a sweetly archaic tone. And the percussion, consisting of a bell, tambourine, triangle, and drum, lends a lilting, ingenuous tone to the music as a whole...

Author: By William W. Sleator, | Title: The Play of Daniel | 2/19/1966 | See Source »

...Liturgy of the Holy Spirit, with words by Poet William Robert Miller. Based vaguely on a Christian service described by the 2nd century theologian Hippolytus, the eclectic 14-part liturgy included jazz anthems in fairly conventional "cool" style, ballad-like congregational hymns reminiscent of Kurt Weill, choral passages as modal as a 14th century Mass. Florida-born Ed Summerlin began writing jazz for use in churches six years ago, when he poured out his grief at the loss of his nine-month-old daughter in a Requiem for Mary Jo, a jazz setting of the Methodist Order of Morning Prayer...

Author: /time Magazine | Title: Liturgy: Cool Creeds | 7/9/1965 | See Source »

Lewis was also a pioneer in the field of symbolic logic, where he laid the foundations for "modal logic," a branch of logic which has become increasingly important in recent years...

Author: NO WRITER ATTRIBUTED | Title: Former Prof. In Philosophy Dead at 80 | 2/4/1964 | See Source »

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