Word: modeles
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Dates: during 1940-1949
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...January 1947, Nelson Rockefeller had set up the International Basic Economy Corp. to carry out the idea that good can be done at a profit by helping Latin American countries increase their food output. In Venezuela, some of his model farms were already about to show a profit. But there, the government and the oil companies had put up part of the capital, and smoothed the way. In Brazil it was different...
...been lost to rats and rot. Lacking storage space, farmers often sell at panic prices. By renting space in the new company's elevators, farmers can hold off for better prices from middlemen, and Brazil will have to import less wheat. Another joint company has set up four model hog farms in São Paulo State, where farmers can get the word on scientific breeding and feeding. Local packers on the lookout for better meat have been persuaded to invest heavily in this outfit...
...them look as if they had taken him a happy half-hour. In the film, Matisse gives away the secret of that effect, letting the camera peer over his shoulder while he draws his grandson's portrait again & again and then paints a bit from a girl model. The secret: speed of execution (which need not imply hasty conception...
Matisse divides his attention equally between model and picture, turning from one to another with the quick, concentrated attention of a fan at a tennis match. When he looks at the model his brush hovers in midair; when he turns back to the canvas it hesitates a split second, then dips and weaves as swiftly as a swallow building a nest...
Included in the film are photographs of Matisse's The Peasant Blouse, made at 15 stages of progress over a period of five months. The painting began with a reasonably naturalistic and (for Matisse) timid sketch from a model. Every subsequent stage looks as complete as the final one, though not even the last version seems "finished"-a Matisse seldom does. In spite of the drastic changes Matisse made as he went along, every version brought his original conception more boldly into focus. His admirers might have accepted any of the early versions as a masterpiece, but not Matisse...