Word: modeli
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Dates: during 1980-1989
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...specific gravity of Irene Worth's mode of delivery banishes frivolity and inspires conviction, as does the work of Constance Cummings and Donal Donnelly. Mrs. St. Maugham may not have been named that for nothing since The Chalk Garden measures human character with Maugham's skeptic...
...would hope for some prompt, emphatic, and responsible disavowals and rejoinders from someone besides the Gay Students Association and peckerwoods like me. I would contend that our society's survival and other interests would be better served by the toleration or even encouragement of homosexuality and any other mode of recreational sex that discharges libidinal energies without occasioning procreation. Suffice that it would be regrettable if an unchallenged utterance by someone whose title suggests that he ought to know, results in a public perception that the University has adjourned to the encampment of Jerry Falwell. Dwight Benton Minnich...
Nancy à la Mode...
When wife Tekla (Jody Barrett), replaces Gustav as Adolf's antagonist the mode of combat shifts. The actors battle through a veneer of lover's games, but they bring out the levels of manipulation and resentment behind the tenderness...
...weary, dying fall of Eliot's poems. Always in Pinter, the dialogue is the drama, and it follows a threefold pattern. The source of the first is his fondness for vaudeville, a predilection he shares with Samuel Beckett, a playwright Pinter vastly admires. The second is the inquisitorial mode: a character is grilled, mocked and menaced. The third is the puncturing of rote responses to reveal emotional vacuity. When Lamb asks Miss Cutts how she gets on with Roote, she replies, "Oh, such a charming person. So genuine." When he later asks her what Gibbs is like, she parrots...