Word: modeli
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Dates: during 1980-1989
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...shifting field that included the onlooker. It was painting's unconscious answer to the theory of relativity or to the principles of narrative that would emerge in Proust or Joyce. The supremacy of the fixed viewpoint, embodied for 500 years in Renaissance perspective, was challenged by the new mode of describing space that Picasso and Braque had developed in a supreme effort of teamwork...
...judgement out of prejudice, mean-mindedness, and the narcosis induced by membership in a mutual admiration society. But they also fail out of a kind of hypocrisy and despair. They want to suppress the painful awareness of the element of arbitrariness in their lifelong devotion to some particular mode of thought. They are unable to imagine their own discipline, in the here and now, as the arena of a violent formative contest. Judged by the higher standard, academic freedom does not flourish at Harvard. Our failure to establish it corrupts our common life...
...does look as if he's arrogant, remote, or at least inattentive. But I'm tired of being invited to snicker at that momentary grimace and to take it as symbolic of a style of government. And I'm sad to recognize The Crimson's easy lapse into a mode of journalism that is complacently impudent, irresponsible, unprofessional...
...greatness of the play lies not between the lines but splattered across the stage like an overturned plate of spaghetti. While Innaurato's characters are essentially naturalistic, their flamboyant mode of self-expression renders them larger-than-life, small people who blow themselves up to brontosaurean dimensions...
...worth noting the three basic speech patterns of Greek tragedy. Hecuba embarks on a lamentation that might be called the first language of the Middle East, stretching around the Mediterranean crescent from the Wailing Wall of Jerusalem to the melancholy, snakelike flutes of the Casbah. The second mode is anathema, the curse absolute. The third is the speech of self-absolution. Protagonists in Greek plays never blame themselves for their actions. Either the gods made them do it, or their enemies are culpable or they are the victims of tyche: luck or blind chance...