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...Rosen exhibits an "exceptional clarity of thought...[and] a bold and incisive mode of expression. He really has an extraordinary grasp of historical detail in many areas," Moravcsik wrote in an e-mail message...

Author: By David S. Stolzar, CRIMSON STAFF WRITER | Title: In the Right: As an Undergrad, Rosen Protested the Protestors | 6/8/1999 | See Source »

...seem to oscillate as a society between times of apathy and self-centered ignorance, and times of hyper energized activism, sometimes bordering on thoughtless" Wood says. "Even with Kosovo in the wings, we're in the more apathetic mode. I wish students were more motivated, concerned...

Author: By M. DOUGLAS Omalley and Tova A. Serkin, CRIMSON STAFF WRITERS | Title: Memory of Takeover Still Haunts Those Students, Faculty Who Saw It Happen | 6/8/1999 | See Source »

...WebTV component, however, isn't really for me; I don't like surfing the Net when I'm in my passive, TV-watching mode. And call me a traditionalist, but I think e-mail belongs on a PC in the office, not on the big screen in the living room. By law I still can't get local programming on the satellite dish, although Congress is expected to overturn that ban, possibly at the end of June. What I will never get via satellite is my neighbor's vibra-chair...

Author: /time Magazine | Title: My Neighbor's Dish | 6/7/1999 | See Source »

...gifted comedy writer Richard Curtis; both star fabulously inaccessible (to Grant) American women--in this case Julia Roberts; both feature appealing groups of friends in varying states of lovelornness; and both allow Grant to be the most lovelorn of all, a romantic hero in the deer-in-headlights mode that made him so popular in the first place. As Four Weddings director Mike Newell puts it, "Everyone wants Hugh to be the charming, beautiful, bumbling guy they know from Four Weddings." And on that, Notting Hill delivers...

Author: /time Magazine | Title: Cinema: Hugh Grant's Sorry Now | 5/31/1999 | See Source »

Sometimes copycats are just looking for pointers on how to commit a crime effectively--so-called mode copying. In Los Angeles in the mid 1980s, robbers started breaking car windows with bricks and snatching handbags--a bluntly effective technique that was quickly picked up by imitators and came to be known as the "smash and grab." But copycat criminals are often lured by the sheer thrill of making headlines. They see America in a furor over Pepsi tampering or high school shootings, and regard it as a quick way to achieve significance. It is a power trip for the powerless...

Author: /time Magazine | Title: Criminals As Copycats | 5/31/1999 | See Source »

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