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...Valkenburgh described his creative process as “some place midstream between the mode of inquiry and research that a scientist uses and the poetic and deeply intuitive instincts of a painter or sculptor...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Graduate School of Design Prof. Awarded Brunner Memorial Prize in Architecture | 3/31/2010 | See Source »

...addictive about the pop music of the 1980s, Goldfrapp certainly hits the nail on the head. “Head First” is an incredibly cohesive album, evoking the whole era in all of its glory. With touches of ABBA, Pat Benatar, Diana Ross, and even Depeche Mode, it’s overwhelmingly nostalgic. On the surface, the enthusiastic and enticing sound of “Head First” gives it an immediate accessibility that Goldfrapp desperately needed to re-launch themselves into the electro-dance-pop arena. On the other hand, it also continually begs the question...

Author: By Sarah E. Rich, CONTRIBUTING WRITER | Title: Goldfrapp | 3/30/2010 | See Source »

...from the original with a log of driftwood. “Taxidermy is interesting in how the animal becomes a replica and a representation of itself,” Lieberman says. “In my particular video, I address the relationship between the process of taxidermy as a mode of representation and art and sculpture.” During the event, the video installation will play alongside an actual taxidermied deer, highlighting how her work comments on the “politics of display” inherent in taxidermy...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Museum Houses A Bizarre Bazaar of Animals | 3/23/2010 | See Source »

...piece, it mainly excels at its style, and its content is not as intellectually rich or complex as the later pieces. It serves as an adequate introduction to the book and establishes an introspective tone that will stand out to readers more accustomed to McPhee’s journalistic mode...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

...singularity of Steinberg’s mode of writing helps explain the curious sight of many Jewish public and literary luminaries—Elie Wiesel, Cynthia Ozick and Harold Kushner among them—all suddenly seizing the coattails of this rather obscure rabbi now six decades deceased, and adorning “The Prophet’s Wife” with glowing blurbs, introductions and even back-of-the-book commentaries. If there is a lesson beyond the theological to be derived from “The Prophet’s Wife,” it is that this...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Steinberg Renews Jewish Literary Tradition in ‘Prophet’s Wife’ | 3/23/2010 | See Source »

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