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Word: modern (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

DEBUSSY: LA MER, L'APRES-MIDI D'UN FAUNE, JEUX (CBS). Claude Debussy is the father of modern music, and Pierre Boulez is one of France's leading musical experimenters. To hear how Boulez handles these familiar works is to be reminded of how radical they are. "Debussy inaugurated a new and extremely personal type of sonorous universe, new in color as well as in mobility," says Boulez. By simply trusting the new sounds instead of trying to force them into old melodic patterns, he has made his own revolution in the interpretation of Debussy. An important...

Author: /time Magazine | Title: Time Listings: Aug. 9, 1968 | 8/9/1968 | See Source »

...from the English Chamber Orchestra. The Siegfried Idyll sounds like what it was meant to be: a lullaby. The Schoenberg piece, one of the composer's very early works, and Hindemith's mourning music for viola and strings, have great spirit. Barenboim's first recording of modern works augurs well for the future...

Author: /time Magazine | Title: Time Listings: Aug. 9, 1968 | 8/9/1968 | See Source »

PETULIA. A thick-skinned doctor (George C. Scott) and a flipped-out wife (Julie Christie) make an odd pair of lovers in Director Richard Lester's portrait of a decidedly modern romance...

Author: /time Magazine | Title: Time Listings: Aug. 9, 1968 | 8/9/1968 | See Source »

...Though very reasonable in tone, there are moments in the document when a faint note of hysteria can be detected. The pill, writes the Pope, might lead to infidelity, loss of respect for women, and could even precipitate political anarchy. However real this social danger may be in the modern world, it is a mistake to make discussion of it depend on teachings of divine and natural law about the sacredness of life. How the holiness of human life can in any way be abrogated by a mere technology (the pill) is very unclear in the encyclical. Is fear...

Author: /time Magazine | Title: Letters: Aug. 9, 1968 | 8/9/1968 | See Source »

...seemingly the perfect embodiment of the chivalric tradition. A superb sportsman and a gifted musician, he also could hold his own intellectually in company with those lights of Renaissance humanism, Erasmus and Thomas More. Yet he grew into a gross, willful creature not so far removed from the modern layman's view of him, which seems to be based mainly on Charles Laughton's famous roaring, slobbering portrayal in the 1933 film The Private Life of Henry VIII. He gorged himself at seven-hour banquets, eventually became so fat that he had to be moved up and down...

Author: /time Magazine | Title: Books: Heroics Without a Hero | 8/2/1968 | See Source »

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