Word: modern
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Dates: during 1960-1969
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Juan Carlos, who is considerably more conservative than his father, would not last more than three months, Ridruejo contends. Don Carlos, however, a potentially constitutional monarch, would be able to deal with the Left, Ridruejo believes, and thereby retain power long enough to bring Spain into the modern European community...
...Sack's accession. They are located in the Sack Savoy. To reach them you must take a small, antiquated elevator, with a hand-operated grate and an erratic control button. It climbs slowly, cautiously--rather like the temperamental lift that displayed more personality than Julie Andrews in Thoroughly Modern Millie. The elevator opens--hopefully--onto a nondescript corridor. You pass a press room, then a secretary's office. The inner sanctum is a large room that, despite its heavy furniture, appears empty. There is an imposing mahogany desk, a matching conference table, an antique, roccoco grandfather's clock. The room...
...Chiapas Project is a year-round program that includes summer field studies with Mexico's Maya Indians. These Indians "are being brought into the modern industrialized world for the first time," according to Vogt...
...Samson and Delilah comes closest of all his films to fitting normal standards of taste. For once he departs from the archaic film-making conventions which mark his other work. Technically, The Ten Commandments is cruder than Birth of a Nation, but Samson and Delilah looks comparatively modern. DeMille's camera moves more than usual, and often beautifully. He stages Delilah's discovery of Samson's blindness with real cinematic imagination; the camera follows Samson turning the millstone as he passes by her, completely oblivious to her seductive presence. The color, while no better than opulent, is opulent indeed; DeMille...
...claimed for his own since he made his first appearance as a New Yorker short-story writer 15 years ago. In his own words, he is "kind of elegiacally concerned with the Protestant middle class." Among modern American writers, only John Cheever shares Updike's sense of accumulated loss, his feeling that the national past contained a wholeness and an essential goodness that have now evaporated. Even John O'Hara, an acknowledged social historian, makes no plea for the special virtues of the past. For other novelists, the present may be a disaster, but there is no indication...