Word: modern
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Dates: during 1960-1969
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...Your piece on Britain's justly noted Redgrave sisters [March 17] was excellent, especially for its comments on the modern moviegoer. An increasingly educated and intelligent American public cannot accept the glittering bedroom farces and unreal gods and goddesses that Hollywood is, unfortunately, famous for. Let the American film industry take a cue from the realistic poignance of Julie Christie's Darling or Lynn Redgrave's Georgy Girl...
After miraculously surviving an attempted assassination by machine gun two years ago, Iran's Mohammed Reza Shah Pahlevi said gratefully: "Allah saved my country again." It was not an idle boast. Among modern monarchs, the Shah, 47, is a pace-setting social reformer without whom Iran would long ago have turned to chaos. The trouble is that the Shah tempts Allah quite a bit. He zooms through the streets of Teheran at high speeds in his Ferrari-while police see to it that the traffic lights go green along his route. He loves to fly jets, such as Lockheed...
...next September's Sao Paulo Bienal, the U.S. will be represented by such pop artists as Andy Warhol and Robert Rauschenberg. But by startling contrast, William Seitz, former curator of Manhattan's Museum of Modern Art, who picked the entries, opted for a real grandpop to stage the major U.S. one-man show: Edward Hopper, 84, an old master of realism whose cityscapes go back to his association with the "Ashcan" realists. When someone suggested that Hop might be a bit old-fashioned to be keeping such company, Seitz snapped: "It would be ridiculous to eliminate the best...
...Heart. Such challenging of accepted doctrine is not done by a handful of youthful Christian rebels but by mature and sober thinkers with considerable reputations outside their own country. Many Dutch theologians intimate that the perpetual virginity of Christ's mother may be a myth. "It is more modern," says one, "to believe that Christ was the son of Mary and Joseph." Dominican Theologian Edward Schillebeeckx, 52, a peritus (expert) at the Second Vatican Council, proposes that the Resurrection of Jesus may not have been the physical recomposition of his body but a unique kind of spiritual manifestation...
...from tenor to baritone. That was regrettable. Though John Reardon as the son and Sherill Milnes as the lover both performed superbly, the pairing of two baritones and two sopranos robbed the vocal writing of contrast. More damaging was the fact that Levy's mildly modern score, conducted by Zubin Mehta, did not meet the challenge of the theme, too often resorted to clever percussive chattering that seemed to say "crisis coming!" Melodies meandered, the curiously opaque orchestration lagged meekly behind instead of leaping forward. Save for some rich vocal writing in a second-act quartet and the dissonant...