Word: modern
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Dates: during 1980-1989
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...Callenbach, when people have freed themselves from large corporations and from cars and TV -- what he * calls "isolating technologies." Americans, he complains, have become a nation of emotionally detached creatures. "Humans like to play and mess around, and yet we are trying to live in the lockstep mode of modern society. No other species would put up with having to sit at a desk all day. And yet here we are trying to live according to bizarre economic and institutional social rules that seem to contradict our species nature...
Callenbach likes to shock students by telling them, "The challenge of modern life is to make it as emotionally healthy as life in a Stone Age village." Keep that in mind next time you fume over foul air and blaring traffic. Think of your Ecotopian future, smoking a joint on some peaceful municipal waterfront, watching the biodegradable plastic boats...
...least in America. Hence the fascination of "Dreamings: The Art of Aboriginal Australia," on view at the Asia Society Galleries in New York City through Dec. 31. This show of some 100 paintings and carvings, the older ones in earth colors on bark, the more recent in modern acrylic pigments on canvas or panel, was mainly lent by the South Australian Museum, the prime collector of this work. Its importance lies in the link between ancestral Aboriginal painting and its contemporary forms -- a third of which, in this show, comes from the Warlpiri culture at Papunya and Yuendumu...
...degree of Schadenfreude (pleasure in the misfortunes of others) dogs the aesthete's responses to modern primitive art. It gets written off as airport stuff for tourists, insincere, perfunctory, without the aura of mythical use. With the best of contemporary Aboriginal painting this cannot be done, partly because of the striking beauty and formal intensity of the work, but largely owing to the consistency and continuity of its central mythology -- that of the Dreamings, or ancestral beings...
...club may also publish a magazine of "creative writing and modern perspectives on Southern history," said Balderson. He said the group would not focus much on the Civil War, calling it "not the only or the most significant feature in the history of the South...