Word: modern
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Dates: during 1990-1999
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...complex and haven't given up yet. From that time to the present, a permissive, often inept U.S. government let the People's Republic help itself to valuable technology thefts. Now, claims the report, China has leaped from reliance on Qian's obsolete clunkers to imminent deployment of sophisticated modern missiles that directly threaten U.S. national security. "No other country," said Representative Christopher Cox, the California Republican who was chairman of the committee, "has succeeded in stealing so much from...
...report makes giant leaps of assumption about the military capabilities China gained from its spying and high-technology purchases. Cox & Co. assert that "the stolen U.S. secrets have helped China fabricate and successfully test modern strategic thermonuclear weapons." They state that Beijing may test a long-range mobile solid-fuel-missile system this year and could be ready to deploy...
...battle groups), no long-range strategic bombers (the U.S. has 174) and funds this stumbling juggernaut with a budget of 14 cents for every dollar the U.S. spends on defense. The P.L.A., says the Pentagon, is "still decades away from possessing a comprehensive capability to engage and defeat a modern adversary beyond China's boundaries...
Beijing desperately wants to change that perception, not because China's leaders have an enemy in their sights but because they seek the kind of credibility that a truly modern military brings. Capitol Hill rhetoric aside, China doesn't covet nuclear missiles so it can lob them at Los Angeles. It wants them so that it can be a legitimate player on the international stage, a nation fully in control of its own military destiny. So, as its entrepreneurs have embraced StarTacs and Yahoo!, Beijing's generals now want to trade their antique weaponry and cold war tactics...
...others have had major careers. In the 18th century, falsettists regularly alternated with castrati on the operatic stage, singing the virtuoso coloratura roles of Handel and Gluck. But once the castration of boys was banned, and unaltered male singers started belting out high notes in the manner of the modern tenor, the demand for countertenors began to decline. By the end of the 19th century the voice type had all but vanished; on the rare occasions when baroque operas were staged, the male alto roles were typically taken over by women in drag...