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...gone kaput, period. The most unsettling facet of this death-of-love motif is the pervasiveness of its reality among the film's otherwise diverse characters. The malaise afflicts the professionally fulfilled executive (Harvey Keitel) as deeply as his hopelessly unfulfilled housewife (Geraldine Chaplin), who fancies herself a modernday Camille, running around spouting melodrama and sipping Carroll's Southern Comfort between lines. It fails to discriminate between John Considine's hail-fellow-well-met furniture dealer and Carradine's petulant artiste. With one noteworthy exception, each of the ten central figures goes in search of a human connection, and each...

Author: By Joe Contreras, | Title: Grown-Up Wasteland | 4/19/1977 | See Source »

...Candidate [1972]. Probably the best contemporary statement on modernday politics. The film explores the moral implications of campaigns so vast and complex that they're beyond the candidate's control. Robert Redford is just a little better than adequate as the young, idealistic lawyer turned by the political process into a non-committal pol. Peter Boyle (Joe) is a very good as the mercenary professional campaign manager who knows how to get his boy elected. Redford's confused question to Boyle at the very end is a question we will all have to consider. Must seeing...

Author: By Lester F. Greenspoon, | Title: TELEVISION | 10/17/1974 | See Source »

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