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Integrity might sound like a personal virtue, but a new book says it's actually a precious economic asset. In The Economics of Integrity, journalist Anna Bernasek writes that almost every aspect of the modern global economy - from getting cash at an ATM to trading gold in international markets - is possible only because of deep-seated trust. She talked to TIME about the financial crisis, what's wrong with the dictionary definition of integrity, and how trust creates wealth. (See pictures of the global financial crisis...

Author: /time Magazine | Title: How Trust Creates Wealth | 3/10/2010 | See Source »

BachSoc then presented the highly anticipated premiere of 2009-10 Composition Competition Winner “Nightclub Scenes for Solo Piano and Orchestra,” by Zachary T. Sheets ’13. Though “Nightclub Scenes” fit nicely with the modern sound of Prokofiev and Poulenc, there was a distinctively jazzy, almost sultry feel to Sheets’s composition. Written as “a classically inspired piece with a sense of harmony rooted in jazz,” Sheets delegated the roles of the jazz band’s walking bass, tenor...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...Haffner Symphony, BachSoc revealed the careful attention it paid to its selection of the evening’s works. The Haffner Symphony was a surprising segue from “Nightclub Scenes,” as it celebrated the classical period that influenced Prokofiev and Poulenc’s modern works. With Cohler conducting, BachSoc ended the Haffner Symphony with the exuberance that this work demands, as a final display of the refined sound that the orchestra conveyed throughout the night...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...business partner Sam Katz (Jonathan Epstein) to complain about their conditions. The unseen workers lodge their complaints, speaking into off-stage microphones while the screen plays clips of silently talking everymen. The effect is sloppy and confusing. If Fish is trying to equate the three workers with modern employees and their struggles, he certainly does not succeed; it is barely discernable what is actually even happening in the scene...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...Lucia May moved from the seating area towards the kitchenette. She opened the door of the microwave and then shut what she found back inside. The smell escaped, though – sweet, artificial, she thought, low calorie.” With descriptions like these, Lelic captures modern life far more effectively than he does with his aping of teens’ texting styles or his awkward insertions of pop culture references into his witnesses’ dialogue...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: Lelic’s ‘Cuts’ Relies on Tired Tropes | 3/9/2010 | See Source »

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