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...work of his final decades: all those pillowy nudes, sunning their abundant selves in dappled glades; all those peachy girls, strumming guitars and idling in bourgeois parlors; all that pink. In the long twilight of his career, the old man found his way to a kissable classicism that modern eyes can find awfully hard to take. (See the top 10 art exhibitions...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...Parrish to Tinkerbell and the Playboy bunny, owe something to the old man's influential wet dream of classical form. All the same, the Renoir of this period - three very productive decades before his death in 1919 at the age of 78 - fascinated some of the chief figures of modernism. Picasso was on board; his thick-limbed "neoclassical" women from the 1920s are indebted to Renoir. So was Matisse, who had one eye on Renoir's Orientalist dress-up fantasies like The Concert, with its flattened space and overall patterning, when he produced his odalisques. Given that so much...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...became a semiclassicist, he was a consummate Impressionist. You need to picture him in 1874, 33 years old, painting side by side with Monet in Argenteuil, teasing out the new possibilities of sketchy brushwork to capture fleeting light as it fell across people and things in an indisputably modern world...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...musculature of Michelangelo, he lost faith in his flickering sunbeams. He returned to France determined to find his way to lucid, distinct forms in an art that reached for the eternal, not the momentary. By the later years of that decade, Renoir had lost his taste for the modern world anyway. As for modern women, in 1888 he could write, "I consider that women who are authors, lawyers and politicians are monsters." ("The woman who is an artist," he added graciously, "is merely ridiculous...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...make us feel better to label the IRGC as a terrorist organization, but it's more instructive to look at things from the IRGC's perspective. It truly believes that its brand of asymmetrical warfare can defeat a modern, well-equipped force in a limited war. It did so in Lebanon, and given the right circumstances, it would do so in other parts of the Middle East. But the real point is that in a limited war with the U.S. and Israel, the IRGC could predominate, or at least wear us down to the point that we would decide...

Author: /time Magazine | Title: Why Sanctions Won't Beat Iran's Revolutionary Guards | 2/17/2010 | See Source »

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