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When Wozzeck was given in Philadelphia four winters ago, conventional operagoers shuddered at its dissonances, stamped Composer Alban Berg as a stark ultra-modernist who had little regard for beauty. Wozzeck's story was sordid. Its music was an enigma to many, though none denied its power. For six years in his home in Vienna, Composer Berg has been working on a second opera, Lulu. Boston had the first U. S. taste of it last week when Sergei Koussevitzky conducted five symphonic excerpts...

Author: /time Magazine | Title: Music: Lulu in Boston | 4/1/1935 | See Source »

...arts are represented, and by specimens which tend to be a persuasive, even if mute, testimony in an age of rampant modernism. In his well-written, though necessarily hurried, and even breathless, survey, Mr. Wickham pauses to inveigh against those modernist critics, who deprecate the masters of yore in order to extol "now a van Gogh, now a Picasso, now a Klee, now a Braque, now a Wadsworth, or now the art of the primitive Negroes or the Seljuka." That kind of criticism is indeed indefensible; one hopes, however, that Mr. Wickham, in his ardor to defend classicism against...

Author: By W. E. H., | Title: The Crimson Bookshelf | 3/19/1935 | See Source »

...interesting chapter on "The Inferiority Complex in Art" Mr. Fry relates the modernist cult in the arts with the democratic spirit in politics. The lack of culture in the ruling mob he believes is one impetus to the success of modernistic art which panders to the naive mass of uncultured culture seekers. He believes that the phenomenon of this new art presents a problem for profound study by psychologists. "The deification of ugliness and obscenity, the urge for mutilation, deformation, muddy color and exaggeration, are all symptoms," he says, "of sadism, indicating a form of psychopathiasexualis...

Author: By J. H. H., | Title: The Crimson Bookshelf | 3/5/1935 | See Source »

...Greco's St. Ildefonso, Writing was owned years ago, before modernist painters had made the great Spanish mystic their particular hero and driven his prices sky high, by Artists Jean François Millet and Edouard...

Author: /time Magazine | Title: Art: Mellon & Madonna | 3/4/1935 | See Source »

Zerbe is a complete modernist in his semi abstract style of paintings and his regard for the importance of the formal qualities of pictorial design. He is a typical German in the emotional intensity displayed in his work. The superb colour of the artist and his delicate touch are, perhaps, the most striking elements in his work. Using a special hand made Japanese paper for his water colours, he produces a soft delicate quality that is perfectly consistent with the subtle tone relations that are far more important to the eye than the subjects portrayed are to the mind. Colour...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 10/9/1934 | See Source »

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