Word: modernistically
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Dates: during 1940-1949
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...Modernist poetry constitutes, in its entirety, a piecemeal bible of human guilt. In some of the bible's sections-T. S. Eliot's poems, for instance-human guilt appears as a world poison emanating from mankind's sins against God. Other modernist poets leave God, for all practical purposes, out of the picture. Human guilt, in their books, is simply the poisonous sum of people's transgressions against other people and against themselves. But whether the modernist poets speak as religionists or as non-religionists, they all seem to be trying to say that the world...
...World War II approached, many of the league's European members wavered between exile and totalitarianism. Spain's famed Manuel de Falla (The Three-Cornered Hat) signed with Dictator Franco. Parisian Composers Arthur Honegger and Florent Schmitt toured Germany as honored guests of the Third Reich. Italian Modernist G. Francesco Malipiero began writing Fascist anthems for Mussolini. Unable to cope with political wanderings, in 1939 the embarrassed league restricted its composer membership to U.S. citizens...
...cosmopolitan crowd of Manhattan art-lovers trampled each other's elegant toes last week to see an exhibit of paintings by Marc Chagall, one of the least known (in the U.S.) of important modernist painters, the man for whom the word surrealist was first coined...
...version of The Star-Spangled Banner, published last week, bore those words on the cover. The words and music were by a sometime modernist ear-splitter, a onetime Russian aristocrat, Igor Stravinsky. At first toot, the author of the raucous thumps and blats of The Rite of Spring (played in Walt Disney's Fantasia) hardly seemed a likely rearranger for the national anthem. But the Stravinskian Star-Spangled Banner, despite its slight Russian accent, is a genuinely spacious and stirring piece. It should be welcomed by conductors who, under the ukase of Boss James Caesar Petrillo of the musicians...
Reinhold Glière: Symphony No. 3 ("Ilya Murometz") (Leopold Stokowski and the Philadelphia Orchestra; Victor; 11 sides). A Soviet composer, no modernist, writes rousingly of Ilya Murometz, a mythical Russian resembling Paul Bunyan and the classical, earth-sustained Antaeus. Stokowski gives it the works...