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...legal party is called -would rise in influence. Carrero Blanco is believed to maintain an affection for veteran Falangists who fought long ago for Franco; he may well decide that it is time for them to be allowed to reassert themselves. Correspondingly, the power of technocrats affiliated with the modernist, religio-political movement known as Opus Dei might decline...

Author: /time Magazine | Title: SPAIN: Enter the Admiral | 6/18/1973 | See Source »

...painter Ferdinand Hodler for a few days more. Hodler, although respected widely in Switzerland and Germany during his lifetime has been little appreciated here, and on previous stops in New York and Berkeley the show gained attention for Holder as a major new point of perspective in viewing early modernist art. The sketches are the most interesting thing in the show, and most of the larger works appear stiff and stilted by comparison. The landscapes are significant for prefiguring German Expressionist works...

Author: By Phil Patton, | Title: Downtown and In Town | 6/11/1973 | See Source »

...studied art and philosophy in Paris-where he still lives with his wife and two children in an icon-cluttered apartment-and until 1965 was an abstract painter. Then came a volte-face; since that year, he has concentrated entirely on life drawing, thus reversing the usual modernist's development. "I was born into modern art," he says, "and it was my start. I think that period is closed, and in any case I have left it. My brush drawings are postabstract, and could not have come into being without abstraction...

Author: /time Magazine | Title: Art: Feedback from Life | 5/7/1973 | See Source »

...such daring experimentation, such natural feeling for his media as Picasso could show such rich variety and consistent excellence in an oeuvre spanning almost 80 years. Always, this production was at the forefront of art in the twentieth century. Picasso was the last, and possibly the greatest of the modernist giants...

Author: NO WRITER ATTRIBUTED | Title: Pablo Picasso | 4/12/1973 | See Source »

...politics were as sensitive as his art: although a strong Spanish nationalist, he became a Communist because, he said, he knew what it was to be poor. He resisted the anti-modernist dogmas of the left, and continued to despise the barbarism of Franco and others on the right...

Author: NO WRITER ATTRIBUTED | Title: Pablo Picasso | 4/12/1973 | See Source »

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