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...shouts T love you, I love you.' To my mind that is something that you should whisper. . . . Look at his orchestration, that mass of different instruments in unison!" Wagner "suggests a butler who has been created a baron." About the music of Stravinsky he is unenthusiastic, finds extreme Modernist Schonberg "unsympathetic...

Author: /time Magazine | Title: MUSIC: Finland's King | 12/6/1937 | See Source »

...Basil when veteran Massine departs. The troupe's three other new ballets were all done by him, performed in London during the summer. The Gods Go ABegging, music by Handel, is an old Diaghilev work, with old scenery by Bakst. With décor by Pierre Roy, French modernist, The Amorous Lion is based on a fable by La Fontaine which begins with this couplet: Love, love, when you invade our hearts, That moment common sense departs. Lichine patterned Francesca da Rimini after an episode in Dante, just as Tchaikovsky used Dante as the basis for the tone poem...

Author: /time Magazine | Title: Music: Sur les Pointes | 11/1/1937 | See Source »

Strange bedfellows last week were the extremely vocal opponents of the Thomas Jefferson Memorial. They included: modernist artists, objecting to the arid classicism of the scheme; Republicans and conservatives eager to spike this glorification of the Democratic Party; garden club members, fearing the threat to the cherry trees; utilitarians who favor a memorial to Thomas Jefferson but favor something of public use, specifically an auditorium where such ceremonies as a Presidential inauguration may be held in weather like that of the last...

Author: /time Magazine | Title: Art: Basin Battle | 4/19/1937 | See Source »

First on the bill was Le Pauvre Matelot (The Poor Sailor). Darius Milhaud, a member of the French modernist Group of Six, wrote it to a poem by Jean Cocteau. After its world premiere in Paris nine years ago, the opera was seldom put on. Many at the U. S. premiere last week, listening to the puzzled, formless music, thought they could tell why. Others were impressed by the vivid passages of declamation, the odd, unpleasant story of a woman who murdered her husband unbeknown...

Author: /time Magazine | Title: Music: Bok Party | 4/12/1937 | See Source »

...under the tutelage of Professor Richard Robert, he made his debut in Vienna. At 14 he began to study composition under Modernist Arnold Schonberg. He met Violinist Adolf Busch when he was 17, thenceforth appeared with him in chamber music recitals. He began to strike out for himself as a soloist in England. France, Switzerland. Holland, Italy, Spain. Austria. In 1933 the German Government refused to let Serkin, a Jew, play at the Brahms Centennial in Ham burg (TIME, May 1, 1933). Violinist Busch, an Aryan, withdrew too, took the young pianist to live with him in Basle. Year...

Author: /time Magazine | Title: Music: Serkin's Second | 12/28/1936 | See Source »

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