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...That's still a problem for McCaskill, who lives with her husband, a wealthy businessman, in a modernist house near the affluent St. Louis suburb of Ladue. But it also happens to be a problem for Talent, who lives in Chesterfield, another upscale St. Louis suburb. Unlike most country voters, Talent talks fast and enunciates every word. In a room of overall-clad pig farmers, Talent's pressed slacks and Oxford shirts often seem too nice by half...

Author: /time Magazine | Title: Campaign '06: A Fight for the Heartland in Missouri | 10/3/2006 | See Source »

...McCarthy is the last survivor of a vanished world. He is, essentially, a modernist, miraculously preserved like a literary coelacanth from the age of Hemingway and Faulkner, writers of high style and high purpose without an iota of aw-shucks relatability. The future probably belongs to the Fraziers, the entertainers, who serve up their profundities with humor and sex and fisticuffs so they go down more easily. McCarthy would never stoop to entertain us, but there's a stripped-down intensity to his work that is just awesome. You sense that The Road, with its world empty of values...

Author: /time Magazine | Title: Books: Writers on the Storm | 10/1/2006 | See Source »

...says the intense 44-year-old Parisian. He asks a lot of questions. If that sounds like obscure French philosophy, consider this. In 2004, after Harvard University asked Huyghe for a work to celebrate the 40th anniversary of its visual arts center - the only North American building designed by modernist master Le Corbusier - Huyghe created a puppet show. That's right, marionettes on very visible strings. The idea was to compare the artistic conflicts Le Corbusier had with university authorities - the Mr. Harvard, Dean of Deans puppet is a threatening black specter - with similar problems Huyghe encountered in mounting...

Author: /time Magazine | Title: The Question Maker | 9/26/2006 | See Source »

...eager to make you choose your own path, so you may be tempted to just throw darts at the Courses of Instruction rather than narrow it down yourself. Instead, listen to Confi and start with Ryan’s cross-listed class, Comparative Literature 161, “Modernist Movements.” In typical Lit fashion, it serves up an otherwise tired topic with interdisciplinary, multilingual style. Along with the standard Eliot and Pound, students read in several languages, listen to sound poetry, and critique Expressionist art. Sweet. Although the prospect of coming up with a junior paper topic...

Author: NO WRITER ATTRIBUTED | Title: Literature | 9/14/2006 | See Source »

Alissa Quart learned to read at three. By the time she was five, her father counted on her to offer presentations on modernist art. In elementary school, she taught her own friends to read. By seven, she had written her first novel; at 10, she was lecturing her companions on everything from film stock to astrology. She routinely read a book a day. When she was a 13-year-old high school freshman, she edited her father's writing. By 17, she had won a dozen creative-writing competitions...

Author: /time Magazine | Title: The Downside of Being a Child Prodigy | 9/6/2006 | See Source »

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