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...Opera last week, two important premieres demonstrated just how potent eclecticism can be. John Eaton's The Tempest, with a libretto after Shakespeare by Music Critic Andrew Porter of The New Yorker, is a rich blend of Renaissance music, jazz and electronics that is surrounded by an uncompromisingly modernist microtonal framework. Another happily eclectic work, Hans Werner Henze's The English Cat, takes an anthropomorphic tale by English Playwright Edward Bond, based on Balzac, and sets it to music that freely ranges from kitschy consonance to acerbic dissonance. Both operas have the kind of unquestioned stylistic integrity that bespeaks major...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

...movies, shown at college film societies and, in New York, at Amos Vogel's pioneering Cinema 16 film club. Oh yes, it was instructive and ennobling, watching the elliptical 16mm films that some of us thought would take cinema into the post-narrative age and make it a truly modernist art. We also had to admit that movies like Bruce Conner's Cosmic Ray (a naked woman dances to a Ray Charles song) and Stan Brakhage's Window Water Baby Moving (birth, in gynecological closeup) were also, relatively speaking, hot stuff. Carolee Schneeman's Fuses was 18 minutes of lovemaking...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...heroin addiction overcame his gifts and took his life, Basquiat was someone who produced some irresistible work. After it wraps up in Brooklyn on June 5, the exhibition moves on to Los Angeles and Houston, bringing cross-country the Basquiat debate--Was he the last inheritor of the Modernist tradition? A puerile nobody? Something in between?--and its attendant recollections of the '80s. Meanwhile, a sizable show called "East Village USA" has just completed a three-month run at the New Museum of Contemporary Art in Manhattan. That one surveyed the moment two decades ago when that New York City...

Author: /time Magazine | Title: How Does '80s Art Look Now? | 3/28/2005 | See Source »

...Tange's designs were unique, visionary, and hugely influential for their unapologetic urbanism and bold experimentation in both form and materials. A lifelong devotee of Swiss modernist Le Corbusier, Tange shared many of his idol's best and worst tendencies-his buildings could be brutal, cold and impractical, and have never been as well-loved as they are well-respected. A tireless theoretician and teacher, Tange's four-decade reign as one of architecture's brightest stars launched the careers of numerous disciples who continue his modernist mission-as he described it, to seek "the union of technology and humanity...

Author: /time Magazine | Title: Milestones | 3/28/2005 | See Source »

...CES’ recently formed Undergraduate Committee, with Sharon O. Doku ’05 and Alexander Bevilacqua ’07—who is also a Crimson editor—taking the lead. A panel of three distinguished Harvard professors explored the correlation between the modernist literary style and the contemporaneous rise of totalitarian governments...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

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