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...DIED. KIM KI-CHANG, 86, one of South Korea's leading modernist painters; in Seoul. Kim expired two months after meeting with his younger brother, a celebrated artist in North Korea, for the first time in 50 years during the family reunions that followed the inter-Korean summit in June...

Author: /time Magazine | Title: Milestones 2/5/2001 | 2/5/2001 | See Source »

...Thomas' course traces Prague through its early nationalist, realist, modernist, surrealist, existential, and postmodern stages. It is a place of exile, a city personified as female, he says...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITERS | Title: Shopping Around | 2/2/2001 | See Source »

...news, meanwhile, is that we have no culture of our own. Oh, we have "painters," yes--just take a trot through the Carpenter Center, or the modernist wing at the Fogg. And we have "writers," absolutely--turn on Oprah's Book Club, she'll introduce you to them. "Musicians," too--that Eminem fellow is pretty popular, right? And we've got plenty of great minds--most of them tenured at Harvard, if you believe the promotional literature...

Author: By Ross G. Douthat, | Title: Looking Backwards | 1/17/2001 | See Source »

...show isn't quite as good on icons of craft as one might wish. Its conspectus of ceramics is quite good, but it's weaker in furniture. There is a fine suite of low-slung Modernist furniture in gumwood designed by Rudolph Schindler in the 1930s for his unbuilt Shep House in Los Angeles, and a splendid 1908 sideboard with inlays of fruitwood, ebony and abalone shell by Greene & Greene, those Pasadena masters of the Arts and Crafts style. But it's hard to get much more than a hint of how much really good furniture was being made...

Author: /time Magazine | Title: Art: A Flawed Ex-Paradise | 12/11/2000 | See Source »

...California is less so). The very perception of landscape and townscape was locked into auto experience. Even conventional views of buildings in the street, like Ed Ruscha's gas stations, give the impression that they're glimpsed vividly and briefly from a passing vehicle. And an essentially traditional modernist like Richard Diebenkorn, during the figurative-landscape phase of his work in the '50s and early '60s--represented here by a slashing landscape called Freeway and Aqueduct, 1957--gave those landscapes a sense of rapid movement in deep space, and an imagery of roadworks, water conduits and ramps that...

Author: /time Magazine | Title: Art: A Flawed Ex-Paradise | 12/11/2000 | See Source »

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