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...cases of Berkowitz and Honig were, in a matter of historical irony, inextricably intertwined. Both are political theorists: he is a Straussian, she a post-modernist. And by the fall of 1996 both had been teaching at Harvard for six years, the time when junior Faculty come up for tenure. Tenure, of course, is and never should be expected at a University where the official employment standard is "the best in the world." But a confluence of events--including the government department's approval of both candidates for tenured professorships at the same meeting--raised questions about why they were...

Author: By Joshua A. Kaufman, | Title: Berkowitz v. Harvard | 1/12/1998 | See Source »

...tribute to the power of that great contemporary idea, "Stop making sense." Beneath the cocked hats of its undulating towers, the most delightful architectural mind of our time has been everywhere at work. Without stooping to the twee historical quotation of so much postmodern design, Gehry has repudiated Modernist sanctity, symmetry and right-angled geometries in his own fearless way, taking them apart and putting them back together with a rollicking, cockeyed brilliance. Then he dressed this curvaceous beauty in shimmering titanium that is both sexy and unmistakably elegant. (And talk about pounding swords into art galleries: four years...

Author: /time Magazine | Title: THE BEST DESIGN OF 1997 | 12/29/1997 | See Source »

...Miho Museum I.M. Pei is best known for resounding Modernist statements like the Rock and Roll Museum in Cleveland, Ohio. For this project in the hills of a nature preserve near Kyoto, Japan, he chose literal understatement--80% of the main building is belowground. But first he leads visitors along a wooded pathway, through a tunnel and over a cable suspension bridge, an enchanted path to buried art treasures...

Author: /time Magazine | Title: THE BEST DESIGN OF 1997 | 12/29/1997 | See Source »

...Getty Center Los Angeles may not be the Athens of America, but it now has its own Acropolis. With a mere $1 billion from the Getty Trust, architect Richard Meier has performed a feat of late-Modernist classicism, a complex of art research, museum and conservation facilities that sits on a hill along the San Diego Freeway, quietly emanating the notion that civilization is whatever it is that produces buildings like these...

Author: /time Magazine | Title: THE BEST DESIGN OF 1997 | 12/29/1997 | See Source »

...able regularly to visit Washington museums, especially the Phillips Collection. One painting there, in particular, got to him: Matisse's Studio, Quai St. Michel, 1916. Though Diebenkorn would continue to meditate on other works by Matisse (and Mondrian, and Cezanne, and Bonnard, and so on through a wide classical-modernist pantheon) for the rest of his working life, this particular Matisse, with its simultaneous inside-outside view, thrilled and inspired him: "I noticed its spatial amplitude; one saw a marvelous hollow or room yet the surface is right there...right up front...

Author: /time Magazine | Title: ART: GOD IS IN THE VECTORS | 12/8/1997 | See Source »

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