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...plays with an early-Brando sneer. Becoming a father may not make an abusive husband saintly; it often just gives him a new victim to pummel. A compelling actor, Hayden is not enough of a singer -- he loses his way rhythmically and sounds faint in the score's one modernist number, the anthemic Soliloquy ("my boy Bill"), which ends the first act. Sally Murphy is too bland to evoke sympathy as Billy's doormat of a wife, who can't see she's better off without him until after he's dead...

Author: /time Magazine | Title: THEATER: This Carousel Doesn't Go Anywhere | 4/4/1994 | See Source »

...Sturges affectionately satirized. His name is Norville Barnes (Tim Robbins) and he's plucked out of the mailroom and made president of Hudsucker Industries when its founder (Charles Durning) commits spectacular suicide. You can imagine either Jimmy Stewart or Eddie Bracken in the part, but Robbins has a tricky modernist charm all his own. And you can just as easily imagine Edward Arnold as the evil genius of the board of directors, Sidney J. Mussburger, although Paul Newman brings a sprightly spite to the role...

Author: /time Magazine | Title: CINEMA: Half-Baked in Corporate Hell | 3/14/1994 | See Source »

...adopts their strange and decadent lifestyle. Often it is unclear whether Marcello is reporting on the people he is spending time with or whether he has become a part of their society. The story does not have a conventional plot, rather, it evolves scene to scene, with a modernist and discontinuous structure...

Author: By Clarissa A. Bonanno, | Title: `La dolce vita' Shows the Sadness | 2/17/1994 | See Source »

That control extends to everything from hiring singers to choosing a * balanced program that encompasses not only classics and premieres but also thorny modernist works such as Alban Berg's Wozzeck, which last week got a stunning new production that typifies the Krainik style. Krainik had originally planned the project as a co-production with the Chatelet Theatre Musical de Paris, to be conducted in Paris and Chicago by Daniel Barenboim. Following the French performance, Krainik decided that the lighting design was unsuited to the Lyric's stage. "It would have cost us an extra $600,000 just...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

...worthwhile to remember that such art -- which, mutatis mutandis, has also been the formal state style of Hitler, Mao Zedong and not a few minor figures including Saddam Hussein -- has meant more to more people in the past 60 years than all the sanctified Modernist styles, from Fauvism to Pop, rolled together. Like Modernism's, its roots lay in the 19th century. If Modernism grew from Manet, Monet and Cezanne, Socialist Realism emerged from their conservative opposition -- the academic and narrative work that was the institutional art of Europe a century ago. In Russia the hugely popular landscapes and genre...

Author: /time Magazine | Title: Icons of Stalinism | 1/24/1994 | See Source »

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