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...inspired James Stewart Polshek as he designed its new quarters. Instead of creating a boringly deferential pseudo- 18th century building, he has both respected tradition and done something entirely original. From a new, neighborly four-story red brick base, Polshek has popped two prow-shaped floors clad in a modernist grid of white enameled metal. Such a building could be tricky and meretricious, but Polshek, one of the finest uncelebrated architects working today, is a master of restraint...

Author: /time Magazine | Title: Best of 1991: DESIGN | 1/6/1992 | See Source »

...would then remember Seurat not only as a great synthesizer of classical order and modernist perception but also as the artist who fused both with the exacerbated delights of the mass culture that was emerging at the turn of the century: the true "painter of modern life," as anticipated by Baudelaire. The history of modern art, in terms of its engagement with "low" culture, might then have been quite different. Because he died so young, we have the first artist but only hints of the second...

Author: /time Magazine | Title: Art: Against The Cult of the Moment | 9/23/1991 | See Source »

...sufficient culture of Western painting from Giotto right through to his own time, as well as in African art. It may be that curator Sharon F. Patton thought she was paying him some kind of compliment in writing that "like Pollock, de Kooning . . . and Rothko, Bearden, too, rejected the modernist tradition," but this is nonsense: none of those artists, Bearden least of all, did any such thing...

Author: /time Magazine | Title: Art: Romare Bearden: Visual Jazz from a Sharp Eye | 6/10/1991 | See Source »

...Cabot House Drama Society ventures into modernist territory with a production of Samuel Beckett's Waiting For Godot. Though the show boasts many moments of fine acting, director Leo Cabranes-Grant does not quite bring this cast successfully through the play's admittedly difficult text...

Author: By Carey Monserrate, | Title: This Play Keeps Us Waiting | 4/25/1991 | See Source »

Beckett was a friend and occasional secretary of his countryman and fellow High Modernist James Joyce, and Beckett's text echoes that author's characteristic wit and precision. In a sense the play is a dramatic translation of Joyce's project--the static narration of a moment of consciousness, undertaken merely for its own sake, without regard for the conventional rules of narrative or dramatic representation...

Author: By Carey Monserrate, | Title: This Play Keeps Us Waiting | 4/25/1991 | See Source »

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