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...only a modernist reading of the artist's role makes it seem contradictory that Goya was both a court artist and an inspired, tragic social critic. Efforts to see him in pop-Marxist terms as "an artist of the people" miss the point. Goya had many disillusioned moments, and by the last years of his life, when -- sick and old and bitterly disappointed by the betrayal of the liberal Spanish constitution at the hands of that squat reactionary King, Fernando VII -- he moved to France, they became a continuous pessimism. He never idealized the Spanish proletariat: it was el populacho...

Author: /time Magazine | Title: Art: Goya, A Despairing Assault on Terminal Evil | 1/30/1989 | See Source »

ALBERTO GIACOMETTI 1901-1966, Hirshhorn Museum, Washington. The paintings, drawings and familiar elongated sculptures of the great Swiss-born modernist. Through...

Author: /time Magazine | Title: Critics' Choice: Oct. 24, 1988 | 10/24/1988 | See Source »

...paradox of Sontag is that she is an ardent modernist with the earnestness -- and superabundant energy -- of a Victorian moralist. If she likes to "go faster," it's partly because she has so much to cram in. In August, for instance, she attended the biennial gathering of the writers group PEN International (she is president of PEN's American chapter) in Seoul and managed to infuriate Korean authorities by insistently raising the issue of imprisoned South Korean writers. Late September brought the New York Film Festival premiere of Sarah, a documentary on Sarah Bernhardt that Sontag narrates, and a week...

Author: /time Magazine | Title: SUSAN SONTAG: Stand Aside, Sisyphus | 10/24/1988 | See Source »

...ardent modernist with the earnestness -- and energy -- of a Victorian moralist, she' s readying a book on aids, finishing a novel, narrating a documentary. "I love to go faster," she says...

Author: /time Magazine | Title: Time Magazine Contents Page: Oct. 24, 1988 | 10/24/1988 | See Source »

ALBERTO GIACOMETTI 1901-1966, Hirshhorn Museum, Washington. The paintings, drawings and familiar elongated sculptures of the great Swiss-born modernist. Through...

Author: /time Magazine | Title: Critics' Choice: Oct. 17, 1988 | 10/17/1988 | See Source »

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