Word: modernistically
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...tour adjourns to the Martin Luther King Memorial Library downtown, a large, gloomy building in the soul-crushing modernist style. Here the search for a rest room takes on a literary character, mainly Kafkaesque: a visitor finds the men's room down a darkened corridor on the third floor, just past the security cameras, but it's locked and a sign on the door says AFTER 5:30 USE MEN'S ROOM ON A-LEVEL...
...bridges need not be ugly, but with very few exceptions (Detroit's, for instance) they are. At their best, skywalks are bland modernist modules. At their worst, they are like the one that smashes headlong into Minneapolis' quirky turn-of-the-century Egyptian Building, nearly obliterating a carved bas-relief frieze. But aesthetics is not the biggest problem. Skywalks are, in most places most of the time, pseudo-sensible amenities. They are artifacts of an earlier, 1964 World's Fair era, when convenience -- insulation from nature and from the urban hurly-burly -- was the great American goal, neurotically pursued. Skywalks...
Stalin despised it as "decadent bourgeois formalism" and had it locked away. Khrushchev called it excrement and branded its creators "pederasts." Brezhnev ordered bulldozers to smash it into the ground at an outdoor exhibit. Such has been the fate of Russia's modernist art at the hands of dictators bent on enforcing their philistine tastes with the whole armamentarium of the totalitarian state. Even Mikhail Gorbachev has found that the tradition of putting down avant-garde art dies hard among cultural bureaucrats. As a result, the visual arts have been far slower than literature and music to benefit from glasnost...
...longer suppressed, Russian modernist painting emerges in the international market as Sotheby' s holds a $3.6 million sale in Moscow...
...human figure. Born in New York City in 1948, he went to the California Institute for the Arts in Valencia in 1970, just at the height of the belief, then endemic in the American art world, that "painting is dead." Cal Arts epitomized the frivolity of late-modernist art instruction -- no drawing, just do your own thing and let Teacher get on with his. Art education that has repealed its own standards can destroy a tradition by not teaching its skills, and that, broadly speaking, was what happened to figure- painting in America between 1960 and 1980. Fischl...