Word: modernists
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Dates: during 1980-1989
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...This will be the array of Cubist evidence at which future scholars will look back. Curator William Rubin, director emeritus of MOMA's department of painting and sculpture, has called in all his markers. "Picasso and Braque" is his retirement aria, the climax of a great career in modernist scholarship...
...museum, which is why this posthumous show seems so much like a homecoming. He was steeped in a great tradition of which the exemplars were, in poetry, Stephane Mallarme; in painting, Henri Matisse; in sculpture, Constantin Brancusi. Wilmarth was a man of wide visual curiosity, but of all modernist movements the one that interested him most was symbolism, which reached its height around 1890 under Mallarme's leadership and which, through its effect on Matisse and others, lay at the very root of 20th century art. For the symbolists, art was a matter of evocation, not description...
...Muslim Modernist...
...fraction of its auction price 60 years before. The nadir was in the late '50s, when you could get a 10-ft. Guido Reni (if you wanted it, which few did) for less than $300 at auction. Reni's posthumous career is not one the heroes of the Late Modernist Art Industry can contemplate with equanimity...
Benton's own abstract paintings may not have been quite up to the level of Macdonald-Wright's, though it is difficult to judge them fairly, since he destroyed so much of his early work "to get all that modernist dirt out of my system." But it was abstraction that underwrote the system of Benton's later figurative paintings -- an abstraction based on bulging, serpentine figures derived from Michelangelo. From him, and from mannerist sources like Luca Cambiaso's block figures and El Greco's twisty saints, Benton assembled the theory of kinetic composition that would eventually alter the walls...