Word: modernists
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Dates: during 1990-1999
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...World War I begins. Its mindless slaughter heightens and validates the modernist vision. Picasso, watching the military vehicles rumble through Paris, sees in their camouflage painting a kind of Cubism, therefore a kind of modernist triumph. That same year James Joyce begins Ulysses, overturning our traditional expectations for action, plot, drama and the direct impact of one character on another in the novel. "Like Proust," Edmund Wilson writes, "he is symphonic rather than narrative...musical rather than dramatic...
Lost in the bogs of Celtic myth, Yeats--unlike many of his peers in the modernist pantheon--was not much interested in modern design and architecture's streamlining ways. Or in the ability of books and magazines more and more perfectly to replicate artistic icons past and present. Or in the capacity of the movies to create their own time and space, independent of observed reality. We must imagine him, instead, mourning with the great critic Walter Benjamin the destruction of the artwork's "aura" or magic, deriving from its uniqueness, its firm roots in a specific historical place...
...Kane, not to mention its sheer panache; we may adore Bart Simpson, not least because he's such a self-conscious little transgressor, so aware of both his self-destructive impulses and his generally thwarted impulse to be better. But we have to admit that these remain rather lonely modernist gestures in mass culture. And pretty small potatoes compared with Ulysses or The Waste Land...
...argues Ron Rosenbaum, author of Explaining Hitler. "He showed how much lower we could go, and that's what was so horrifying. It gets us wondering not just at the depths he showed us but whether there is worse to come." The power of Hitler was to confound the modernist notion that judgments about good and evil were little more than matters of taste, reflections of social class and power and status. Although some modern scholars drive past the notion of evil and instead explain Hitler's conduct as a reflection of his childhood and self-esteem issues, for most...
Would it be too modernist of me--too retro--to wish that for just this one fleeting moment between millenniums, Samuel Beckett could be my Dick Clark...