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...latest styles in professional dance and attempts to have the classes mirror those trends. "I try to keep current with what the interests are in the dance world at large--post-modernism has become a great cry," she says. Accordingly, the Center has begun offering classes with post-modernist teachers and has sponsored an exhibit in post-modern dance which is presently showing at Widener Library...

Author: By Shari Rudavsky, | Title: Dancin' Six Weeks Away | 7/8/1986 | See Source »

...course, sometimes post-modernist can be different from anything that the students have experienced previously. Nelson says of one teacher, "She's amazing. I come back with bruises." And Keller says that in one of her classes, "The teacher has you slam your body against the floor and do other bizarre things...

Author: By Shari Rudavsky, | Title: Dancin' Six Weeks Away | 7/8/1986 | See Source »

...small changes in the journey's rhythm (here a spot of comfort, there a moment of near unconscious cruelty). She avoids large explanations of Mona's fate, and any implication that political reform or therapeutic intervention might have saved her. And though Varda is clearly influenced by existential and modernist ideas, there is no overt reference to them either...

Author: /time Magazine | Title: Cinema: On the Road Vagabond | 6/9/1986 | See Source »

Perhaps it is time to amend the familiar high-modernist view of Rivera as a gifted painter deformed by the needs of propaganda. Sometimes his work was too openly didactic and coarse grained, too attached to populist stereotypes of love, comradeship, struggle and work. It offended the etiquette of alienation. Too bad--he was still an extraordinary painter, a lighthouse of vitality. Nobody could say Rivera kept a steady political line, but at least he was no ideologue; his socialism was instinctive and antitotalitarian, like Picasso's, but much deeper. Rivera gave Leon Trotsky asylum from Stalinist assassins (including...

Author: /time Magazine | Title: Art: The Tintoretto of the Peons | 6/9/1986 | See Source »

Bohm practiced all the post-modernist tenets long before they were preached, yet his buildings provide none of the easy reassurance of neat taxonomy. His work has evolved continually, but not in response to shifts in fashion or doctrine. Like Finland's Alvar Aalto, Bohm invented his own humane, smart architectural dialect, and then waited patiently for the rest of the world to learn...

Author: /time Magazine | Title: Design: Basso Profundo and a Bit Wild ! | 4/28/1986 | See Source »

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