Word: modernists
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...term: if post-impressionism means not only Van Gogh's Arlesian canvases, in all their lambent color and twisting, linear energies, but also the eclectic products of a tonal impressionist like Jules Bastien-Lepage, with his soulful peasant girls in burlap, what can it mean? To what imaginable modernist context do the many style rétro canvases in this show belong?Giovanni Boldini's portrait of Mme. Max, for instance, or Albert Maignan's Passage of Fortune, 1895, with its gauze-veiled figure of Lady Luck bumping on her wheel down the steps of the Paris Bourse? In such respects...
...progress, was built?"we are a group of young people, devotees of the symbol, misunderstood by a world which mocks us Mystics! Lord, I pray you, may our reign come!" The desire for coherent symbols ?religious, mystical, anything but political?was as important a part of the early modernist program as the desire to purify art to flat patches of color on a flat surface. B Gauguin wanted to make vast allegories of human fate; Edvard Munch, in Norway, elaborated an entire structure of symbolism to describe the 1 inner world that Freud, in the 1890s, was beginning...
...show is rich in souvenirs and epigrams of the modernist imagination, Sérusier's little Talisman of 1888, for instance, with its plain flat patches of color that demonstrated so vividly to Denis and Bonnard that art should not be mere representation, but rather "a transposition, a caricature, the passionate equivalent of an experienced sensation"; or the 1890 self-portrait by Edouard Vuillard, done in brilliant polemical slabs of nonnaturalist color. But it is to the great paintings at the center of the exhibition that one returns, those hinges upon which art swung from the 19th century into the 20th...
...Maurizio Pollini, Chicago Symphony, Claudio Abbado conductor, Deutsche Grammophon). Pollini has had a banner year on disc, issuing fine performances of a staple of the repertory (Beethoven's Third Concerto) as well as an avant-garde experiment (Luigi Nono's... sofferte onde serene ...). This set-modernist but accessible- falls happily in-between. Bartók's angular octaves and Hungarian folk rhythms tempt many pianists to turn into percussionists. Pollini achieves a biting authority without ever banging...
...draftsman, Smith was fecund, prolific to the point of garrulity, and very uneven. In front of many drawings in this show one is made to feel that, had they not been created by one of the leading modernist sculptors, they would not command much attention on their plain aesthetic merits. Most of the work from the late '30s and early '40s is pastiche of one sort or another: a heavy line, now dogmatic, now uncertain, grinding across the paper, paying its digestive homages to Picasso, Gonzalez, constructivism generally and, rather surprisingly, to the bonelike figures of Moore...