Word: modernists
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History's Backwater. Modernism flowered at a time when Catholicism seemed to be a backwater of intellectual history and the Pope was the intransigent "prisoner of the Vatican." By far the most famous modernist was Abbe Alfred Loisy (1857-1940), a Frenchman, whose book The Gospel and the Church (1902) used the critical tools of modern Scriptural scholarship to justify the dogmatic development from primitive Christianity to the complex Catholicism of his time. In so doing, he conceded that the doctrines of the 20th century church were different from the simple faith of Jesus' first disciples-a judgment...
Hiroshi Oe, 53, a distinguished, Shinto-influenced modernist, is represented by a new balconied suburban high school, plus a $745,000, six-story cultural hall ("Almost like a dream girl," says Kane ko. "I've fallen head over heels...
Both Fosdick* and McCracken are Baptists-but there the similarity ends. A fiery orator and prolific writer who thrived on controversy, Fosdick became the focus of the modernist-fundamentalist battles of the 1920s by questioning the Virgin Birth and the literal truth of Scripture, later gained a national following as a radio preacher. Theologically more conservative, McCracken, 63, seldom made the headlines despite his pulpit support for such causes as civil rights and peace in Viet Nam, but has a widespread reputation among the clergy as a preacher's preacher. Other ministers consider him a classic orator...
...reference work supersedes the venerable, outdated Catholic Encyclopedia, published between 1907 and 1914. The differences between the two are a measure of how far the church has moved in 50 years. Produced at a time when the church was troubled by the Modernist heresy, the old encyclopedia was conservative and defensive in tone, highly critical of Protestantism. By contrast, many of the 4,800 scholars who contributed to the new encyclopedia are non-Catholics. The managing editor, Father John Whalen of Catholic U., insists that authors were picked solely for their knowledgeability rather than for their faith. The article...
Paradise was, obviously, hellish for the dancers to learn. The music, composed by Modernist Marius Constant, did not even allow them the luxury of discernible rhythms, sometimes consisted only of randomly twanging gongs and thumping drums. It was at times like a dance performed to the sound effects of a shoot-'em-up western. But Nureyev and Fonteyn conquered the unfamiliar idiom, emphasizing in new and exquisite ways the fluid drive and rhythmic power of their artistry...