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...color washes. Those are predominently on a flat surface. The importance of the surface in contemperary art is brilliantly discussed by Fried in the "nexus o formal "nexus of formal issues" contained in the catalogue accompanying the exhibition: The first of "these issues concerns the ability of line, in modernist painting . . . to be read as bounding a shape or figure, whether abstract or representational...

Author: By Robert E. Abrams, | Title: 3 Modern American Painters | 4/30/1965 | See Source »

Camped for six months in a dark den called the Five Spot, Coleman gave vent to a new style of atonal jazz, a free association of angular and seemingly disjointed sounds that brought curious jazzmen flocking to the club. Many, like Modernist Composer Gunther Schuller, found it "the first realization of all that is merely implicit in the music of Charlie Parker." Leonard Bernstein cried, "Genius!" Composers Aaron Copland and Virgil Thomson also came and were conquered. But others shared Trumpeter Dizzy Gillespie's reaction: "Are you cats serious?" Some even dismissed Coleman's music as "anti-jazz...

Author: /time Magazine | Title: Jazz: Back from Exile | 1/22/1965 | See Source »

...audience in Manhattan's Philharmonic Hall, stocky Kimio Eto adjusted his formal robes and settled before a 6-ft.-long stringed instrument that looked like the fuselage of an unfinished model airplane. He bowed again, and a kettledrum thundered to begin the premiere of Modernist Composer Henry Cowell's Concerto for Koto and Orchestra, the first concerto ever composed by a Westerner for the 1,100-year-old Japanese instrument...

Author: /time Magazine | Title: Instrumentalists: Eto & the Koto | 1/8/1965 | See Source »

...however, Chávez is a pioneer modernist who seldom lets a setback take him by surprise. He believes that a new work must mature in the minds of maestro, musicians and public. His patience has often been rewarded. In 1928 he became the founder and conductor of Mexico's first major symphony orchestra. Giving free concerts, he taught his musically illiterate audiences the wonders of Bach, Beethoven, Stravinsky, Schoenberg and Chávez. His own early compositions, such as the brilliant, flavorful Sinfonia India, in which indigenous folk tunes were distilled with impressive originality, earned him a reputation...

Author: /time Magazine | Title: Composers: The Way to Write Music | 5/15/1964 | See Source »

...Rome's Secretariat for Promoting Christian Unity, the encyclical encouraged Catholics to study the historical background of Scripture, and to use modern critical techniques developed by Protestant and Jewish scholars. Bible scholars hailed the encyclical as their Magna Carta; conservative theologians thought it an open invitation to a modernist revival...

Author: /time Magazine | Title: The Bible: The Catholic Scholars | 5/3/1963 | See Source »

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