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...1940s and the gunmetal-gray palette of wartime heroines like photographer Lee Miller. For Dior, John Galliano tried on a reverential perspective, paying homage to giant clients like Ava Gardner with beaded satin entrance makers. In both cases, their studied opulence seemed to miss this moment's modernist beat...

Author: /time Magazine | Title: Fashion: Looking Straight Ahead | 3/2/2007 | See Source »

...kind of subdepartment of Modernism. It flowed through the work of the great Finnish architect Alvar Aalto, spiraled up the ramp of Frank Lloyd Wright's Guggenheim Museum, filled the sails of the Sydney Opera House and even ballooned into the later work of Le Corbusier, the Ur-modernist himself. "It never went entirely away," Kaplicky insists, and he's right. But on the whole, and for a long time, it was straight lines that carried more authority. For decades contours endured a kind of underground existence. Anything too curvy risked looking kitschy. Like Jayne Mansfield...

Author: /time Magazine | Title: Thinking Way Out of the Box | 2/27/2007 | See Source »

...studio at Bundeena, in a national park just south of Sydney. Here his drawing desk-part of an old cabinet propped up on bricks-seems as improvised as his career. The son of an administrator and a ceramicist, Gittoes dropped out of law studies and, inspired by the visiting modernist art critic Clement Greenberg, traveled to New York in 1968. He studied with the social-realist painter Joe Delaney, and on returning to Sydney the following year, sought to put Delaney's civic-minded ideals to work in the Yellow House, the now legendary artist-run space Gittoes helped establish...

Author: /time Magazine | Title: A Pop-Art History of Warfare | 2/15/2007 | See Source »

...Deco Lamps and Candlesticks by Wolf Uecker (Abbeville; 280 pages; $75). Illustrations include color and black-and-white photographs of glass lamps by Louis Comfort Tiffany and Daum Freres, brass fantasies wrought by Josef Hoffmann and a lacquered wood-and-parchment floor fixture by Eileen Gray. There are modernist abstractions as well as familiar nymphs in flowing robes. Among the most delightful surprises: a bronze snail, its light contained beneath a shell of oxide-colored glass, and Emile Galle's magnificent lamp, a trio of mushrooms...

Author: /time Magazine | Title: Pleasures for the Holidays | 1/26/2007 | See Source »

...years, ranging from new graphics for prescription pill bottles to wardrobes for Madame Butterfly. The exhibit is meant to showcase recent design feats, but it feels futuristic, with a prominent pack of robotic dogs and sci-fi humanoids coming to life among the customary displays of architectural models and modernist furniture...

Author: /time Magazine | Title: The Robots are Coming | 1/23/2007 | See Source »

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