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...Carey video and was featured in the most recent James Bond film. What this means is that Gehry has managed to be both intellectually respectable and popular, not just populist, a balancing act that makes his tilted towers look easy. Richard Meier is the great American architect whose stately modernist buildings, most of them in a white so ideal it could be used for the table settings at Plato's Symposium, are the very opposite of Gehry's Baroque tumblings. Yet even Meier is happy about the way Bilbao has made architecture "part of public discussion again...

Author: /time Magazine | Title: Architecture: The Frank Gehry Experience | 6/26/2000 | See Source »

...1950s, when Gehry returned to Southern California to start work as an architect, the prestige of classical modernism was as high as it would ever be. Even after he started his own firm in 1962, his private-home projects and small public buildings largely satisfied modernist expectations that any structure should be a spare, unified form clearly expressing its underlying function. All the while, Gehry was powerfully interested in painting and sculpture and the rising West Coast art scene. He counted as friends some of its emerging stars, including Billy Al Bengston, Ed Moses and Ed Ruscha. What he really...

Author: /time Magazine | Title: Architecture: The Frank Gehry Experience | 6/26/2000 | See Source »

DIED. JACOB LAWRENCE, 82, Modernist painter who broke the color barrier in the nation's art galleries and is known for his epic 60-painting series of rural blacks' northern migration around World War I; in Seattle...

Author: /time Magazine | Title: Milestones Jun. 19, 2000 | 6/19/2000 | See Source »

...cling to a reflexive belief in the Latest Thing, abetted by the shaky fantasy that there's such a thing as progress in art. Looking back on 1900 from the year 2000, we see a lot of images and objects whose authors were long ago banished from right-thinking, modernist art history--corpses strewn behind the merciless juggernaut of avant-garde "progress." Some of these are stirring, and quite a few are weirdly interesting. Many can be experienced only as camp, raised by the artists' obsessions to a level of superheated conviction. But many more are just God-awful, period...

Author: /time Magazine | Title: Art: The Stuff Modernism Overthrew | 6/5/2000 | See Source »

...what, in the end, is this book? As fiction, it could simply be a musing: a sensuous, aging intellectual persona, thoroughly modern, dying of AIDS in a post-modern age. There is plenty about the mercurial politics of elite universities to sustain a deeper narrative about modernist men professing a fragmenting discipline...

Author: By Marc J. Ambinder, CRIMSON STAFF WRITER | Title: A Picture of Allan Bloom | 5/12/2000 | See Source »

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