Word: modernists
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Though the public saw him as the archetypal modernist, he was disconnected from much modern art. Some of the greatest modern painters--Kandinsky, for instance, or Mondrian--saw their work as an instrument of evolution and human development. But Picasso had no more of a Utopian streak than did his Spanish idol, Goya. The idea that art evolved, or had any kind of historical mission, struck him as ridiculous. "All I have ever made," he once said, "was made for the present and in the hope that it will always remain in the present. When I have found something...
...from The Hollow Men to Little Gidding)--succeed to such an extent that by 1956 the University of Minnesota needed to stage his lecture there in a basketball arena? The astonishing growth of literacy between 1910 and 1940 certainly helps to explain the rise of an audience for modernist writing. But it was an audience chiefly of fiction readers. Fiction had claimed "real life," and in 1910 poetry was subsisting, for the most part, on vague appeals to nature and to God. Though from 1897 on, Edwin Arlington Robinson had been writing his grim, intelligent poetry of American failures (Miniver...
Lovers of poetry in the pre-Modernist era had been surviving on a thin diet of either Platonic idealism or a post-'90s "decadence," and it was felt that barbaric and businesslike America could not equal the sophistication of England. Eliot's vignettes of modern life (some sardonic, some elegiac), and his meditation on consciousness and its aridities, reclaimed for American poetry a terrain of close observation and complex intelligence that had seemed lost. The heartbreak under the poised irony of Eliot's work was not lost on his audience, who suddenly felt that in understanding Eliot, they understood themselves...
...dare call her a post-modernist...
...translated into wire profile, becomes a fearsome proboscis. They were witty, vital (the faint quivering of the wire from room vibration gave them an odd subliminal life) and completely without pretension. They were also, clearly, sculpture and not toys. Yet they would hardly be more than footnotes in the modernist story but for what happened later...