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...choice of color: black). Products were mass-produced and mass-marketed, with all the centralization and conformity that entails. Television sets and toothpaste, magazines and movies, shows and shoes: they were distributed or broadcast, in cookie-cutter form, from central facilities to millions of people. In reaction, a modernist mix of anarchy, existential despair and rebellion against conformity motivated art, music, literature, fashion and even behavior for much of the century...

Author: /time Magazine | Title: Our Century...And The Next One | 4/13/1998 | See Source »

...product to millions, technology is already allowing products to be tailored to each user. You can subscribe to news sources that serve up only topics and opinions that fit your fancy. Everything from shoes to steel can be customized to meet individual wishes. What does that mean for the modernist revolt against conformity that dominated art and literature? Postmodernism, with its sense of irony, is more amused by connections and historical hyperlinks...

Author: /time Magazine | Title: Our Century...And The Next One | 4/13/1998 | See Source »

According to Richard H. Fallon, a professor at HLS, Halley has "a post-modernist view of the issue...

Author: By India F. Landrigan, CONTRIBUTING WRITER | Title: Biddle Memorial Lecture Addresses Pro-Gay `Like-Race' Argument | 4/8/1998 | See Source »

...version of Lolita is at this moment playing without any particular controversy in Moscow, former capital of hopelessly square Soviet socialist morality. After something like a year of relentless salesmanship, producers of Adrian Lyne's near reverent (but by no means inept or exploitative) adaptation of Vladimir Nabokov's modernist classic has yet to find a theatrical distributor in the U.S., where, of course, morally ambivalent entanglements between older men and younger women have lately been hot news...

Author: /time Magazine | Title: Cinema: Taking a Peek at Lolita | 3/23/1998 | See Source »

Unfortunately, Art is an overrated trifle: one of those small, schematic finger exercises that seem to win critical praise in direct proportion to their lack of ambition. The characters are all too easy to parse: Serge is a modernist but really a dilettante; Marc, a classicist who's a snob underneath; Yvan, an art-naif who goes whichever way the wind blows. The audience has little investment in the clash between them because their friendship seems implausible from the get-go: there's no explanation of how or why they became friends, no real sense of closeness. This might...

Author: /time Magazine | Title: Theater: Three-Finger Exercise | 3/16/1998 | See Source »

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