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Frug's original article, "A Post-modernist Feminist Legal Manifesto," addressed violence against women, and appeared in the March issue of the Review...

Author: By Molly B. Confer, CRIMSON STAFF WRITER | Title: Revue Authors Will Go Undisciplined | 6/1/1992 | See Source »

...drawn into the catastrophe of the filmmaking process, like a rubbernecking motorist passing a road kill. Then you notice that these movies are doubly subversive: they not only subvert themselves, they rebel against the timid rules of traditional filmmaking. In this sense, bad movies are the first modernist movies, as the French long ago realized. "Learn to go see the 'worst' films," wrote Ado Kyrou in the 1957 Le Surrealisme au Cinema. "They are sometimes sublime...

Author: /time Magazine | Title: The World's Worst Director | 6/1/1992 | See Source »

Most intriguingly, the album shows Shaw crossing the shadow line that divided swing from bop and the other modernist idioms that took over after 1950. In the hands of most other players, including Shaw's great rival Goodman, the clarinet did not make this transition -- at least not without sacrificing its warmth and lyricism -- which is why it soon was eclipsed by the saxophone as a primary jazz voice. But here Shaw effortlessly absorbs some of bop's angular chromaticism, and his out-of-rhythm codas, all fluttery murmurings or boiling surges of notes, seem to anticipate the free-form...

Author: /time Magazine | Title: The Man Who Walked Away | 5/18/1992 | See Source »

...other paintings in his career show the same fine play between aesthetic intent and illusionism. Usually it's the eye-fooling that wins. The comment of a great American Modernist, Marsden Hartley, is cited by one essayist: "In Harnett there is nothing to bother about, nothing to confuse, nothing to $ interpret . . . there is the myopic persistence to render every single thing singly." The catalog protests this, pointing to the stories that underlie the conglomerations of things in his still lifes, which do indeed provide something to interpret. But was this what Hartley meant? In fact, no. He saw what...

Author: /time Magazine | Title: A Reliable Bag of Tricks | 5/11/1992 | See Source »

...cast members are virtually indistinguishable from each other. The majority are dressed in diapers--the men's distended by suspiciously large bulges--in unflattering hues, yet another post-modernist denial of the Aesthetic...

Author: By Ashwini Sukthankar, | Title: Jet Bludgeons Senses, Convention With Meaningless Pretension: | 4/23/1992 | See Source »

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