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...neoexpressionist but of a virtuoso; his drawing lacks the tenacity of an Eakins, let alone a Cezanne, yet it was drawing of a high order, heartless sometimes, but rarely less than dazzling in its fluency; and there is nothing like it in American art today. Sargent was certainly no modernist, but the fiercely competitive atelier system of figure drawing that formed his style when he studied with Carolus-Duran in Paris also underpinned the high standards of early modernist draftsmanship in Matisse, Picasso or Beckmann. Hence, though his relation to the avant-garde was nil, he is no longer...

Author: /time Magazine | Title: Art: Tourist First Class | 10/27/1986 | See Source »

...common and the profound. Now that he allows a measure of classicist calm to seep into his work, he may no longer be written off as an idiosyncratic California bad boy. Gehry must be regarded as one of the two or three most important members of the late-modernist generation -- and maybe the most successful formal innovator...

Author: /time Magazine | Title: Design: Building Beauty the Hard Way | 10/13/1986 | See Source »

Conservative Moral Theologian Germain Grisez of Mount St. Mary's College in Maryland sees John Paul's cleanup as one of historic proportions, comparing it with Pope Pius X's effort early in the century to crush the modernist movement. That dispute, says Grisez, "was basically a much smaller thing than what's happening now." Similarly underscoring the significance of the situation, the Vatican's official spokesman, Joaquin Navarro-Valls, stated last week that "this phenomenon of dissent, in the U.S. and elsewhere, touches the very nature of the church. The real question is no longer abortion, or even moral...

Author: /time Magazine | Title: Religion: John Paul's Cleanup Campaign | 10/13/1986 | See Source »

...musical circles, Thomson is recognized as a revolutionary modernist. Yesterday's program included such eclectic compositions as "Capital, Capitals," a four-part chanted vocalization of a Gertrude Stein dialogue with piano accompaniment, and "Sonata for Flute Alone," which was performed by Fenwick Smith, a well-known Boston flutist...

Author: NO WRITER ATTRIBUTED | Title: Concert Honors Virgil Thomson | 10/6/1986 | See Source »

...which is to say that Blue Velvet is in no sense a realistic film. It is not modernist camp either. Lynch believes every bit as much in the redemptive power of teen love -- with families miraculously restored and two kids kissing to the crooning of a wedding-chapel organ -- as he does in the force of evil. He and his film will surely be reviled, but as an experiment in expanding cinema's dramatic and technical vocabulary, Blue Velvet demands respect...

Author: /time Magazine | Title: Cinema: It's a Strange World, Isn't It Blue Velvet | 9/22/1986 | See Source »

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