Word: modernizations
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Dates: during 1950-1959
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These were the sights and sounds of Red China this week in the midst of its "Great Leap Forward''-the sights and sounds of a nation in the throes of an economic and social convulsion unparalleled in modern history. Ten years ago, in what seemed only a provocative flight of fancy, left-wing British Author George Orwell conjured up in his novel 1984 a nightmare vision of the ultimate totalitarian state: "In our world there will be no emotions except fear, rage, triumph and self-abasement. Everything else we shall destroy-everything. Already . . . no one dares trust...
Peking's statistics are suspect, but 1958 figures, noted a British economist, "defy belief and baffle logic." But even if Communist figures could be trusted, Red China still has a long way to go before claiming to be a modern industrial state. Mainland China's rate of industrial growth last year was only half that of Japan's. By the end of its current six-year plan, Japan will have acquired new productive capacity greater than that of all the industrial plant Mao's China now has. The Chinese Communists have yet to produce...
Hulot is the same Hulot, same pipe, same coat, same well-meaning, bland incompetence. This time he comes to preposterous unintentional grips with post-war prosperity, the modern source of the bourgeoisie that the French have ridiculed for a hundred years. And his skill for satire, apparent on only a personal level before, is strengthened by the theme and enhanced by his fuller control of the production. Tati's broadside satire of the modern scene is sharp, and cuts particularly deep since in America there don't seem to be even any shabby unsuccessful humanists left for a comparison--everybody...
...laws live in a hyper-modern house, sterile as an egg-bin, where the garden is gravel and a robot polishes the floor. They try to get Hulot a job with the firm, they try to set him up with a neighbor widow, they try to reform him; they fail, of course. He makes sausages out of plastic hose at the plant, devastates their garden party, and transports their son on his fuming motorbike. The characters, in their smug posturings and ridiculous appearance, are like cartoon characters, as the film itself is a plotless continuity of cartoon-like situations...
...education would have to be considered. Professor Skinner himself has said: "In the light of our present knowledge a school system must be called a failure if it cannot induce students to learn except by threatening them not to learn." A study of education within the structure of the modern science of behavior does indeed have broad implications...