Word: modernizations
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Dates: during 1950-1959
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...Manufacturers, the project was one unmitigated migraine. On top of his breakneck schedule and a niggardly allowance ($3,600,000) from Washington, he met daily opposition from all sides. The Kremlin vetoed the plan to distribute free Coty lipsticks. President Eisenhower's doubts about the top-heavily modern art show (TIME, July 13) prompted some changes. The Russians haggled like capitalistic stockbrokers over the rent...
This play was designated a "comedy" in the Folio. Modern scholarship has tried to improve the situation by setting up a sub-category of "dark comedies" for All's Well, Troilus and Cressida, and Measure for Measure. But let's face it: All's Well simply is not a comedy, dark or otherwise--unless one wants to render the term meaningless by applying it to anything with a happy or, as in this case, pseudo-happy ending. (Actually, this ending is utterly absurd, unbelievable, perfunctory, and, for a man of Shakespeare's stature, inexcusable--the sort of thing one finds...
Using slides, Doctor J. Otto Brendel indicated that "nothing is new under the sun," during the third Thursday afternoon lecture, held on July 23. Brendel, a professor of fine arts and archeology at Columbia University, spoke on "Classical Style in Modern...
...today, stressed Brendel, is only a modern interpretation of past art, just as Renaissance art was based directly on early Graeco-Roman figures. "This imitation," said Brendel, "may sometimes help creativity; it will not hinder...
...Aiuola Bruciata, the work receiving its first American performance this week at the Tufts Arena Theater as The Burnt Flower-Bed, was written in 1952, near the end of the last great creative burst of its author, Ugo Betti. It is a play that states the problem of modern nihilism with uncompromising starkness and attempts to press beyond in the reaffirmation of human responsibility. Even a cursory reading of Betti's play in Henry Reed's excellent English translation makes it clear why Betti is being hailed on the continent as an even greater dramatist than Pirandello...