Word: modernizations
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Dates: during 1950-1959
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Halpert, who will be curator of the paintings in the Moscow exhibit, huffed: "Some people think the President's paintings aren't so good either. It's like Truman saying modern art resembles ham and eggs...
...July sun, jazz festivals started erupting across the land. As usual, the major hostilities started at Newport. Now in its sixth year and still the most prestigious of the lot, the Newport festival regularly attracts the royalty of the summer circuit -Duke Ellington, Dizzy Gillespie, Erroll Garner, the Modern Jazz Quartet, et al.-at fees ranging up to $4,000 a package. The festival is extravagantly promoted, strenuously recorded and religiously re ported by some 500 members of "the working press" (including this year a Massachusetts optometrist representing the British Jazz Journal...
...jazz spectacular" titled "Newport Is a Lark" and featuring such jazz-inspired fashions as a Bop Period "nasturtium-colored velveteen jacket lined and piped with hot pink shantung." Musical novelty: the "first authentic American jazz ballet," a 22-minute retelling of the Harlequin-Columbine story to music by the Modern Jazz Quartet. The ballet's major character innovations were a bop-goggled Pantaloon and a Beat Generation Harlequin, wearing dark glasses and T-shirt instead of the traditional mask and clown's costume...
...short, barking essay and examples in parallel columns-right v. wrong, timid v. bold, ragged v. trim. Strunk had pet usages; he insisted on forming the possessive singular of nouns by adding 's regardless of the final consonant (Rule 1 ). It would have enraged him to read a modern newspaper headline about Bonnie Prince Charlie: CHARLES' TONSILS...
...Second Tree from the Corner) is more than qualified to add his own exhortations to the professor's lecture. Some of White's Strunkian reminders: Do not overwrite. Do not overstate. Do not explain too much. Avoid fancy words. Revise and rewrite. Perhaps above all, shun the modern euphoria of Old Spontaneous Me ("Stay out of the act"). To White, style cannot be separated from sense: "The whole duty of a writer is to please and satisfy himself, and the true writer always plays to an audience of one . . . Young writers often suppose that style is a garnish...