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Word: modernize (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...first was South of Scranton, a surrealistically weird picture of sailors soaring through the air under a crow's nest, which took first prize at the 1934 Carnegie International and now resides in the basement of Manhattan's Metropolitan Museum. His next was the Museum of Modern Art's Eternal City-in which a bilious, jack-in-the-box Mussolini rules over a ruined square. "I hope," says Blume fervently, "that I won't get involved in still another big picture, but I suppose I will. I'm cursed that way. When I first began...

Author: /time Magazine | Title: Art: Putting Ideas Together | 1/17/1949 | See Source »

America's Town Meeting (Tues. 8:30 p.m., ABC & ABC-TV). "Can Modern Capitalism Meet the Needs of Modern Man?" with Norman Thomas and others...

Author: /time Magazine | Title: Radio: Program Preview, Jan. 17, 1949 | 1/17/1949 | See Source »

There is nothing modern about modern church statuary. Roman Catholic churches everywhere are filled with mass-production plaster replicas that perpetuate igth Century traditions of prettiness and molasses-smoothness. One reason is that few parishes can afford to commission sculptures on their own. Instead they buy from manufacturers catering to a safely low denominator of public taste. In Paris, a row of shops along the Rue St.-Sulpice supplies the demand. In the U.S., it's Barclay Street, in downtown Manhattan...

Author: /time Magazine | Title: Art: Important Try | 1/17/1949 | See Source »

...correctness current in the practice of Catholic art in the U.S.") has battled this kind of traditionalism. The society's main argument is that beauty is not necessarily bland or strictly based on tradition. This week it backed up the argument with examples : the society had commissioned ten modern sculptors to make church statues for exhibition in a Manhattan gallery...

Author: /time Magazine | Title: Art: Important Try | 1/17/1949 | See Source »

Like it or not-and some gallerygoers decidedly did not-the painting had authority and punch. In the fast-stepping world of modern art (which turns out an even higher percentage of grade B quickies than Hollywood) it was a supercolossal production. As with all such productions, except those of genius, it inclined to be heavyhanded...

Author: /time Magazine | Title: Art: Putting Ideas Together | 1/17/1949 | See Source »

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