Search Details

Word: modernize (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Manufacturers, the project was one unmitigated migraine. On top of his breakneck schedule and a niggardly allowance ($3,600,000) from Washington, he met daily opposition from all sides. The Kremlin vetoed the plan to distribute free Coty lipsticks. President Eisenhower's doubts about the top-heavily modern art show (TIME, July 13) prompted some changes. The Russians haggled like capitalistic stockbrokers over the rent...

Author: /time Magazine | Title: THE U.S. IN MOSCOW: Russia Comes to the Fair | 8/3/1959 | See Source »

This play was designated a "comedy" in the Folio. Modern scholarship has tried to improve the situation by setting up a sub-category of "dark comedies" for All's Well, Troilus and Cressida, and Measure for Measure. But let's face it: All's Well simply is not a comedy, dark or otherwise--unless one wants to render the term meaningless by applying it to anything with a happy or, as in this case, pseudo-happy ending. (Actually, this ending is utterly absurd, unbelievable, perfunctory, and, for a man of Shakespeare's stature, inexcusable--the sort of thing one finds...

Author: By Caldwell Titcomb, (SPECIAL TO THE HARVARD SUMMER NEWS) | Title: All's Well That Ends Well | 7/30/1959 | See Source »

Using slides, Doctor J. Otto Brendel indicated that "nothing is new under the sun," during the third Thursday afternoon lecture, held on July 23. Brendel, a professor of fine arts and archeology at Columbia University, spoke on "Classical Style in Modern...

Author: NO WRITER ATTRIBUTED | Title: Brendel Speaks | 7/30/1959 | See Source »

...today, stressed Brendel, is only a modern interpretation of past art, just as Renaissance art was based directly on early Graeco-Roman figures. "This imitation," said Brendel, "may sometimes help creativity; it will not hinder...

Author: NO WRITER ATTRIBUTED | Title: Brendel Speaks | 7/30/1959 | See Source »

...Aiuola Bruciata, the work receiving its first American performance this week at the Tufts Arena Theater as The Burnt Flower-Bed, was written in 1952, near the end of the last great creative burst of its author, Ugo Betti. It is a play that states the problem of modern nihilism with uncompromising starkness and attempts to press beyond in the reaffirmation of human responsibility. Even a cursory reading of Betti's play in Henry Reed's excellent English translation makes it clear why Betti is being hailed on the continent as an even greater dramatist than Pirandello...

Author: By John E. Mcnees, | Title: The Burnt Flower-Bed | 7/30/1959 | See Source »

Previous | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | Next