Word: modernize
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Dates: during 1970-1979
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...since the Kennedy-Khrushchev meeting of 1961 had Vienna been the site of a modern superpower summit, and the Austrians were determined that this one would go smoothly. Reinforcements from the provinces increased the police force to 6,000 men. Armed guards were assigned to Carter and Brezhnev, even though both brought phalanxes of their own. More than 100 taxis were diverted to summit duty, chiefly because the press corps of more than 2,000 had reserved long in advance nearly all of Vienna's chauffeured limousines. The summit principals had brought their own transportation: a black Cadillac and Lincoln...
...succeeded by a dark one, while a long take is almost invariably replaced by a sequence composed of many edited shots (principally of characters conversing in close-ups). This concept of the film as a juxtaposition of visual events unforcefully related to each other is in accord with the modern tendency in art to conform to an open structure rather than to depend on tight dramatic unity. With such an "indented" narrative line, Manhattan can be seen as a cinematization of Allen's personal diary as opposed to novelization of a film (ironically touched upon in the film with Keaton...
...Manhattan, such a histrionic camera set-up is almost entirely replaced by the everchanging panorama of the tracking camera. It appears as though the camera is tenaciously chasing the characters (particularly Allen) who run frenziedly along New York streets or through their apartments, which can be construed as a modern variation of the chases characteristic of the old silent slapsticks...
...true to his personal vision of life and art without forsaking the great tradition of the comedy genre. He knows how creatively to employ the new modes discovered by other directors involved in different genres. He flows with the current of contemporary cinematic trends, utilizing all the resources of modern technology. In contrast to Jacques Tati and Pierre Etaix who explore the present potential of silent comedy gags, Allen blazes the trail for a renaissance of sound film comedy. He is rapidly approaching the point when-it is my hope-we will be able to say that Allen...
...sense of will-lessness afflicts modern man, the conviction that he cannot affect events or even control his own destiny. Beckett symbolizes this by immobilizing his characters, in ashcans in Endgame, in urns in Play. In Happy Days, the heroine Winnie (Irene Worth) is buried up to her waist in the first scene and up to her neck in the second. Whereas Winnie is one of life's nonstop talkers, an autobiographiliac, her husband Willie (George Voskovec) is laconic and scarcely visible until the very end of the play. Yet his absence constitutes a powerful presence. In her garrulous...